Architect Gordon Wales finds fellow apartmenthouse resident Joan Marsh locked out and flirts with her. When she is murdered evidence points to him. He and Joan's roommate Noreen become ... See full summary »
Pecos Grant rides into a strange town only to find that everyone recognizes him, not as Pecos Grant, but as a presumed-dead man named Rawlins. Even Rawlins' wife thinks her husband has come back. Pecos sets out to solve the mystery.
During the Alaska gold rush, prospector George sends partner Sam to Seattle to bring his fiancée but when it turns out that she married another man, Sam returns with a pretty substitute, the hostess of the Henhouse dance hall.
Cullen has hired Tom to try and stop the robberies on his railroad. Knowing Cullen's secretary Holt is tipping off the gang, Tom works undercover by posing as a highwayman. To help him ... See full summary »
A Union Cavalry outfit is sent behind Confederate lines in strength to destroy a rail/supply center. Along with them is sent a doctor who causes instant antipathy between him and the ... See full summary »
Breck leads a wagon train of pioneers through Indian attack, storms, deserts, swollen rivers, down cliffs and so on while looking for the murder of a trapper and falling in love with Ruth. Written by
Ed Stephan <firstname.lastname@example.org>
Gary Cooper was originally offered the role of Breck Coleman and wanted it, but he was under contract to Paramount Pictures, which refused to loan him out. The role was eventually given to John Wayne. See more »
In the last scene where Breck and Ruth are reunited, Breck comes up the trail and is seen by Ruth. A close up of Breck shows him carrying his rifle in his right hand. Breck starts to run to meet Ruth.
The shot shifts to a distant shot as we watch Ruth and Breck running to each other. Breck's rifle is now slung over his shoulder. See more »
Look how queer his horse is acting!
Yeah, he's riding zigzag - that's the Indian sign for palaver. There's the chief riding out to meet him now for a powwow.
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I just saw The Big Trail in Vienna's Filmmuseum for the first time. Immediately I was astonished by both the pictures optical high quality and unusual format and by its beautifully detailed story. Who has ever seen such a documentary style western with John Wayne? And there is so much time, you can actually look around on the screen, there is so much to see! One is ever grateful that the scenes are often static, because every single shot is so well composed and you want to take it it. Even the acting is good and fits in well. The long running time of the picture is wonderful, you don't want to miss a minute of it!
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