Architect Gordon Wales finds fellow apartmenthouse resident Joan Marsh locked out and flirts with her. When she is murdered evidence points to him. He and Joan's roommate Noreen become ... See full summary »
Pecos Grant rides into a strange town only to find that everyone recognizes him, not as Pecos Grant, but as a presumed-dead man named Rawlins. Even Rawlins' wife thinks her husband has come back. Pecos sets out to solve the mystery.
During the Alaska gold rush, prospector George sends partner Sam to Seattle to bring his fiancée but when it turns out that she married another man, Sam returns with a pretty substitute, the hostess of the Henhouse dance hall.
A Union Cavalry outfit is sent behind Confederate lines in strength to destroy a rail/supply center. Along with them is sent a doctor who causes instant antipathy between him and the ... See full summary »
Breck leads a wagon train of pioneers through Indian attack, storms, deserts, swollen rivers, down cliffs and so on while looking for the murder of a trapper and falling in love with Ruth. Written by
Ed Stephan <firstname.lastname@example.org>
(at around 10 mins) Breck Coleman leans his rifle against the water pump, then leaves it there and goes into the house. Not something a 'real' frontiersman would do. See more »
Zack, you're not really leaving us?
Yeah, gal, I'm pullin' out. You're all nice and settled now and this here valley is getting altogether too civilized for me. Whenever I get more than three or four families within a hundred miles of me, I begin to feel kind of crowded.
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I have really nothing to add to all the other comments, save this: To me the film looked like a silent film slowly being adapted to sound. The text boards bringing the story along reinforced that impression I suppose. Along the way the actors were allowed to leave the stilted, theatre-like acting; Marguerite Churchill very much looks like a typical early silent movie heroine at the beginning of the film, but at the end is allowed finer expressions. Gus, the Swede?, reminded me of the comic characters of Shakespeare plays, and Windy sounded to me like an early Donald Duck.
It truly amazed me that it was all filmed outdoors, on location, and even though the dust of all the wagons, horses and cattle obscured the view it must actually have been like that for the real settlers! It also was clear to me that many of those Indians must have been real, and I didn't detect any overt racism towards them. And John Wayne looks so incredibly young! As someone who became a real Wayne fan through the cavalry trilogy by John Ford, and thought that Stage Coach was Wayne's first as a leading star, this film was a revelation. The plot is very simple, again reminding me of a silent film, but the grit is very real indeed! An amazing film to have been made with that technique and under those conditions in 1930!
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