The Wrecker wrecks trains on the L & R Railroad. One of his victims is Larry Baker's father. Baker wants to find the evildoer, among a host of suspects, but it will be difficult since the ... See full summary »
The Eagle uses sky writing to make threats against a corporation. Nathan Gregory owns a traveling fairground and is thought to be the Eagle. Craig McCoy is a pilot who goes looking for the Eagle when Gregory turns up missing.
B. Reeves Eason
Tom Brown shows up at Harvard, confident and a bit arrogant. He becomes a rival of Bob McAndrew, not only in football and rowing crew, but also for the affections of Mary Abbott, a ... See full summary »
Cullen has hired Tom to try and stop the robberies on his railroad. Knowing Cullen's secretary Holt is tipping off the gang, Tom works undercover by posing as a highwayman. To help him ... See full summary »
While at West Point Denton rebuffs Evelyn Palmer who shows up later as the wife of his commanding officer in Arizona. When he takes a shine to her sister Bonita, Evelyn accuses him to ... See full summary »
When a popular radio singer is knocked unconscious during a robbery, a squeaky-voiced college boy fills in for him. To everyone's amazement, especially his recent girlfriend, who just broke up with him, he becomes an overnight sensation.
Breck leads a wagon train of pioneers through Indian attack, storms, deserts, swollen rivers, down cliffs and so on while looking for the murder of a trapper and falling in love with Ruth. Written by
Ed Stephan <firstname.lastname@example.org>
This was Marion Morrison's first movie role and the producers didn't like his name. They told Raoul Walsh (the director) Morrison needed a new name. Several names were suggested, one of them from Walsh, who had just read about American Revolutionary War general 'Mad' Anthony Wayne. The studio took the hint, added the first name John and the rest was history. See more »
Zack, you're not really leaving us?
Yeah, gal, I'm pullin' out. You're all nice and settled now and this here valley is getting altogether too civilized for me. Whenever I get more than three or four families within a hundred miles of me, I begin to feel kind of crowded.
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John Wayne's first starring role just blew me away. Televised letterbox style on AMC, I had to check and make sure I had the right date. Sure enough, this 1930 film was made using a 55 mm wide-screen process. Aside from that, it features some of the grittiest, most realistic footage of the trek west I've seen. Wagons, men and animals are really lowered down a cliff face by rope. Trees are chopped by burly men -- and burly women -- so the train can move another 10 feet. The Indians are not the "pretty boy" city slickers who portrayed them later; they're the real deal. A river crossing in a driving rain storm is so realistic, it has to be real (In fact, I understand that director Raoul Walsh nearly lost the entire cast during this sequence). I could smell the wet canvas. Each day is an agony. The various sub-plots are forgettable but the film as a whole is not. I can't think of another title that can beat The Big Trail in evoking a sense of living history on the trail to Oregon. Bravo.
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