Pecos Grant rides into a strange town only to find that everyone recognizes him, not as Pecos Grant, but as a presumed-dead man named Rawlins. Even Rawlins' wife thinks her husband has come back. Pecos sets out to solve the mystery.
Tom Brown shows up at Harvard, confident and a bit arrogant. He becomes a rival of Bob McAndrew, not only in football and rowing crew, but also for the affections of Mary Abbott, a ... See full summary »
Cullen has hired Tom to try and stop the robberies on his railroad. Knowing Cullen's secretary Holt is tipping off the gang, Tom works undercover by posing as a highwayman. To help him ... See full summary »
The Wrecker wrecks trains on the L & R Railroad. One of his victims is Larry Baker's father. Baker wants to find the evildoer, among a host of suspects, but it will be difficult since the ... See full summary »
John Drury saves Duke, a wild horse accused of murder, and trains him. When he discovers that the real murderer, a bad guy known as The Hawk, is the town's leading citizen, Drury arrested on a fraudulent charge.
In 1871, professional gambler John Devlin elopes with Sandra "Sandy" Poli, daughter of Marko Poli, an immigrant who has risen to railroad tycoon. Sandy, knowing that the railroad is to be ... See full summary »
Texas cattle baron Stiles killed John Clayborn's parents ten years earlier. Now a lawyer, Clayborn tries legally to break up Stiles' water monopoly and rustling operation. When that fails he must use force.
Breck leads a wagon train of pioneers through Indian attack, storms, deserts, swollen rivers, down cliffs and so on while looking for the murder of a trapper and falling in love with Ruth. Written by
Ed Stephan <firstname.lastname@example.org>
This film was shot in both a format known as Fox Grandeur, a 70mm wide screen film process developed by the Fox Film Corporation and used commercially on a small scale in 1929-31, as well as a standard Academy ratio format. Both versions survive, and differ significantly in composition, staging and editing. Grandeur was a forerunner of the Todd-AO 70mm system which was introduced in 1955.) Grandeur was one of a number of wide screen processes which were developed by the major Hollywood studios alongside sound in the late 1920s and early 1930s. A combination of the Great Depression and the costs of converting thousands of cinemas to sound prevented the successful introduction of any of these projection systems on a commercial scale. See more »
The last outpost, the turning back place for the weak; the starting place for the strong.
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Good wagons, wagon circling, and gun smoke. Corny but good historical props.
This movie is impressive for the type of physical props used. The wagons were real Conestoga, not the cut-down replicas seen in later movies. The circling of the wagons to fend off an attack by the locals was done with realism -- wagons overlapped with draft animals placed inside the ring -- resulting in what seems like hundreds milling about in the center. And when the shooting starts the wagons virtually disappear in the smoke. Very good representation of 'real life' (I shoot muzzle loading rifles so I know about the smoke part of it). Too bad I can't find this one on laserdisc for my library...
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