Quirt Evans, an all round bad guy, is nursed back to health and sought after by Penelope Worth, a Quaker girl. He eventually finds himself having to choose between his world and the world Penelope lives in.
Tom Brown shows up at Harvard, confident and a bit arrogant. He becomes a rival of Bob McAndrew, not only in football and rowing crew, but also for the affections of Mary Abbott, a ... See full summary »
During the Alaska gold rush, prospector George sends partner Sam to Seattle to bring his fiancée but when it turns out that she married another man, Sam returns with a pretty substitute, the hostess of the Henhouse dance hall.
Breck leads a wagon train of pioneers through Indian attack, storms, deserts, swollen rivers, down cliffs and so on while looking for the murder of a trapper and falling in love with Ruth. Written by
Ed Stephan <email@example.com>
Incredibly, six different versions of this film were shot simultaneously: (1) a 70mm version in the Grandeur process for exhibition in the biggest movie palaces, (2) a standard 35mm version for general release, (3) a 35mm alternate French-language version La piste des géants (1931)', (4) a 35mm alternate Spanish-language version La gran jornada (1931), (5) a 35mm alternate German-language version Die große Fahrt (1931), and (6) a 35mm alternate Italian-language version Il grande sentiero (1931). The four alternate-language versions were shot with (mostly) different casts. See more »
In the last scene where Breck and Ruth are reunited, Breck comes up the trail and is seen by Ruth. A close up of Breck shows him carrying his rifle in his right hand. Breck starts to run to meet Ruth.
The shot shifts to a distant shot as we watch Ruth and Breck running to each other. Breck's rifle is now slung over his shoulder. See more »
Zeke, did you hear that terrible crash?
Hear it? I seen it! That was your wagon!
Was my mother-in-law in it?
See more »
Good wagons, wagon circling, and gun smoke. Corny but good historical props.
This movie is impressive for the type of physical props used. The wagons were real Conestoga, not the cut-down replicas seen in later movies. The circling of the wagons to fend off an attack by the locals was done with realism -- wagons overlapped with draft animals placed inside the ring -- resulting in what seems like hundreds milling about in the center. And when the shooting starts the wagons virtually disappear in the smoke. Very good representation of 'real life' (I shoot muzzle loading rifles so I know about the smoke part of it). Too bad I can't find this one on laserdisc for my library...
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