Texas cattle baron Stiles killed John Clayborn's parents ten years earlier. Now a lawyer, Clayborn tries legally to break up Stiles' water monopoly and rustling operation. When that fails he must use force.
Tom Brown shows up at Harvard, confident and a bit arrogant. He becomes a rival of Bob McAndrew, not only in football and rowing crew, but also for the affections of Mary Abbott, a ... See full summary »
John Drury saves Duke, a wild horse accused of murder, and trains him. When he discovers that the real murderer, a bad guy known as The Hawk, is the town's leading citizen, Drury arrested on a fraudulent charge.
The Eagle uses sky writing to make threats against a corporation. Nathan Gregory owns a traveling fairground and is thought to be the Eagle. Craig McCoy is a pilot who goes looking for the Eagle when Gregory turns up missing.
B. Reeves Eason
The Wrecker wrecks trains on the L & R Railroad. One of his victims is Larry Baker's father. Baker wants to find the evildoer, among a host of suspects, but it will be difficult since the ... See full summary »
Architect Gordon Wales finds fellow apartmenthouse resident Joan Marsh locked out and flirts with her. When she is murdered evidence points to him. He and Joan's roommate Noreen become ... See full summary »
Breck leads a wagon train of pioneers through Indian attack, storms, deserts, swollen rivers, down cliffs and so on while looking for the murder of a trapper and falling in love with Ruth. Written by
Ed Stephan <email@example.com>
John Wayne's first starring role just blew me away. Televised letterbox style on AMC, I had to check and make sure I had the right date. Sure enough, this 1930 film was made using a 55 mm wide-screen process. Aside from that, it features some of the grittiest, most realistic footage of the trek west I've seen. Wagons, men and animals are really lowered down a cliff face by rope. Trees are chopped by burly men -- and burly women -- so the train can move another 10 feet. The Indians are not the "pretty boy" city slickers who portrayed them later; they're the real deal. A river crossing in a driving rain storm is so realistic, it has to be real (In fact, I understand that director Raoul Walsh nearly lost the entire cast during this sequence). I could smell the wet canvas. Each day is an agony. The various sub-plots are forgettable but the film as a whole is not. I can't think of another title that can beat The Big Trail in evoking a sense of living history on the trail to Oregon. Bravo.
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