The Wrecker wrecks trains on the L & R Railroad. One of his victims is Larry Baker's father. Baker wants to find the evildoer, among a host of suspects, but it will be difficult since the ... See full summary »
The Eagle uses sky writing to make threats against a corporation. Nathan Gregory owns a traveling fairground and is thought to be the Eagle. Craig McCoy is a pilot who goes looking for the Eagle when Gregory turns up missing.
B. Reeves Eason
Tom Brown shows up at Harvard, confident and a bit arrogant. He becomes a rival of Bob McAndrew, not only in football and rowing crew, but also for the affections of Mary Abbott, a ... See full summary »
When transplanted Texan Bob Seton arrives in Lawrence, Kansas he finds much to like about the place, especially Mary McCloud, daughter of the local banker. Politics is in the air however. ... See full summary »
Texas Ranger Jake Cutter arrests gambler Paul Regret, but soon finds himself teamed with his prisoner in an undercover effort to defeat a band of renegade arms merchants and thieves known as Comancheros.
Architect Gordon Wales finds fellow apartmenthouse resident Joan Marsh locked out and flirts with her. When she is murdered evidence points to him. He and Joan's roommate Noreen become ... See full summary »
While at West Point Denton rebuffs Evelyn Palmer who shows up later as the wife of his commanding officer in Arizona. When he takes a shine to her sister Bonita, Evelyn accuses him to ... See full summary »
Breck leads a wagon train of pioneers through Indian attack, storms, deserts, swollen rivers, down cliffs and so on while looking for the murder of a trapper and falling in love with Ruth. Written by
Ed Stephan <email@example.com>
This was Marion Morrison's first movie role and the producers didn't like his name. They told Raoul Walsh (the director) Morrison needed a new name. Several names were suggested, one of them from Walsh, who had just read about American Revolutionary War general 'Mad' Anthony Wayne. The studio took the hint, added the first name John and the rest was history. See more »
Zeke, did you hear that terrible crash?
Hear it? I seen it! That was your wagon!
Was my mother-in-law in it?
See more »
I have really nothing to add to all the other comments, save this: To me the film looked like a silent film slowly being adapted to sound. The text boards bringing the story along reinforced that impression I suppose. Along the way the actors were allowed to leave the stilted, theatre-like acting; Marguerite Churchill very much looks like a typical early silent movie heroine at the beginning of the film, but at the end is allowed finer expressions. Gus, the Swede?, reminded me of the comic characters of Shakespeare plays, and Windy sounded to me like an early Donald Duck.
It truly amazed me that it was all filmed outdoors, on location, and even though the dust of all the wagons, horses and cattle obscured the view it must actually have been like that for the real settlers! It also was clear to me that many of those Indians must have been real, and I didn't detect any overt racism towards them. And John Wayne looks so incredibly young! As someone who became a real Wayne fan through the cavalry trilogy by John Ford, and thought that Stage Coach was Wayne's first as a leading star, this film was a revelation. The plot is very simple, again reminding me of a silent film, but the grit is very real indeed! An amazing film to have been made with that technique and under those conditions in 1930!
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