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When a popular radio singer is knocked unconscious during a robbery, a squeaky-voiced college boy fills in for him. To everyone's amazement, especially his recent girlfriend, who just broke up with him, he becomes an overnight sensation.
Breck leads a wagon train of pioneers through Indian attack, storms, deserts, swollen rivers, down cliffs and so on while looking for the murder of a trapper and falling in love with Ruth. Written by
Ed Stephan <firstname.lastname@example.org>
This was Marion Morrison's first movie role and the producers didn't like his name. They told Raoul Walsh (the director) Morrison needed a new name. Several names were suggested, one of them from Walsh, who had just read about American Revolutionary War general 'Mad' Anthony Wayne. The studio took the hint, added the first name John and the rest was history. See more »
They have not turned back, those who died; they stay and yet they go forward. Their spirit leads.
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I have really nothing to add to all the other comments, save this: To me the film looked like a silent film slowly being adapted to sound. The text boards bringing the story along reinforced that impression I suppose. Along the way the actors were allowed to leave the stilted, theatre-like acting; Marguerite Churchill very much looks like a typical early silent movie heroine at the beginning of the film, but at the end is allowed finer expressions. Gus, the Swede?, reminded me of the comic characters of Shakespeare plays, and Windy sounded to me like an early Donald Duck.
It truly amazed me that it was all filmed outdoors, on location, and even though the dust of all the wagons, horses and cattle obscured the view it must actually have been like that for the real settlers! It also was clear to me that many of those Indians must have been real, and I didn't detect any overt racism towards them. And John Wayne looks so incredibly young! As someone who became a real Wayne fan through the cavalry trilogy by John Ford, and thought that Stage Coach was Wayne's first as a leading star, this film was a revelation. The plot is very simple, again reminding me of a silent film, but the grit is very real indeed! An amazing film to have been made with that technique and under those conditions in 1930!
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