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The Big House (1930)

Passed  -  Drama | Romance | Thriller  -  14 June 1930 (USA)
7.2
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Ratings: 7.2/10 from 1,034 users  
Reviews: 18 user | 17 critic

A convict falls in love with his new cellmate's sister, only to become embroiled in a planned break-out which is certain to have lethal consequences.

Directors:

(as George Hill) , (uncredited)

Writers:

(story), (additional dialogue), 1 more credit »
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Title: The Big House (1930)

The Big House (1930) on IMDb 7.2/10

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Won 2 Oscars. Another 2 nominations. See more awards »
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Edit

Cast

Cast overview, first billed only:
...
Morgan
...
Butch
Lewis Stone ...
Warden
...
Kent
...
Anne
George F. Marion ...
Pop
J.C. Nugent ...
Mr. Marlowe
Karl Dane ...
Olsen
DeWitt Jennings ...
Wallace
Matthew Betz ...
Gopher (as Mathew Betz)
...
Mrs. Marlowe
Robert Emmett O'Connor ...
Donlin (as Robert Emmet O'Connor)
Tom Kennedy ...
Uncle Jed (scenes deleted)
Tom Wilson ...
Sandy
Eddie Foyer ...
Dopey
Edit

Storyline

After a manslaughter conviction from drunk driving, nice but foolish Kent is sent to a prison over-crowded and unable to properly deal with it's inmates. There he meets veteran criminals like Morgan and his hardened pal Butch. And the system punishes them all, turning them against each other and bringing out the worst. Written by Ken Yousten <kyousten@bev.net>

Plot Summary | Add Synopsis

Taglines:

Timely! Tremendous! Thrilling! Drama of Love and a Jail-Break!


Certificate:

Passed | See all certifications »
Edit

Details

Country:

Language:

|

Release Date:

14 June 1930 (USA)  »

Also Known As:

Carcere  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.20 : 1
See  »
Edit

Did You Know?

Trivia

Writer Frances Marion toured prison facilities and interviewed prisoners and prison personnel to research her screenplay. See more »

Goofs

The position of Wallace Beery'd head in relation to the wall in the letter sequence with Morris. See more »

Quotes

'Machine Gun' Butch Schmidt: What's your name?
'Machine Gun' Butch Schmidt: [after getting no response] I said what's your name?
Kent: Kent Moreland.
'Machine Gun' Butch Schmidt: Mine's Schmidt. I'm known the world over as "Machine Gun Butch." You heard of me naturally.
'Machine Gun' Butch Schmidt: [after Kent shakes his head 'no.'] Ever hear of the Delaney Gang bein' wiped out?
See more »

Connections

Alternate-language version of Révolte dans la prison (1931) See more »

Soundtracks

Ring the Bells of Heaven
(1866) (uncredited)
Music by George Frederick Root
Words by William O. Cushing
Sung by the Prisoners in Chapel
See more »

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User Reviews

A great character study and view of the prison system
4 August 2000 | by (Los Angeles, CA) – See all my reviews

I saw "The Big House" last night as part of Turner Classic Movies' tribute to Frances Marion, the great female screenwriter. Marion became the first woman to win an Academy Award for screenwriting for her work on this film.

"The Big House" is a fascinating character study, showing how three very different men deal with being imprisoned. Butch (Wallace Beery) lords over all of the men with a knife and threats of violence. John Morgan (Chester Morris) is smart enough to befriend Butch and his crew, but keeps his own set of values. Newcomer Kent Marlowe (Robert Montgomery) is terrified of prison and eventually turns "rat" in hopes of being released.

The film also infers that the public at large is partly to blame for the discontent (and eventual unrest) within the prison: at one moment, the head warden says something to the effect of the public wanting to put criminals in prison, but not wanting to spend the money to build more prisons to accommodate them. This is issue is still debated to this day.

I also found the portrayal of the lone female character, Anne Marlowe (Kent's sister, played by Leila Hyams), very refreshing and unexpected. Instead of the crying, simpering type we might expect in a prison movie, we are given a smart and compassionate woman who owns her own business.

All of the actors gave excellent, realistic performances and Frances Marion's screenplay was well-deserving of the accolades it received. The insight and sensitivity that she used to write about these characters and this place surpasses most of the scripts written by men on the same subject.


14 of 14 people found this review helpful.  Was this review helpful to you?

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