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Big Boy (1930)

Passed  -  Comedy | Musical  -  11 September 1930 (USA)
6.2
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Ratings: 6.2/10 from 61 users  
Reviews: 13 user | 2 critic

Gus, the trusty family retainer, has hopes of riding his boss' horse, Big Boy, to victory at the Kentucky Derby.

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(based on a musical comedy by), (screen play & dialogue by), 5 more credits »
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Title: Big Boy (1930)

Big Boy (1930) on IMDb 6.2/10

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Cast

Cast overview:
...
Gus
Claudia Dell ...
Annabel
Louise Closser Hale ...
Mother
Lloyd Hughes ...
Jack
Eddie Phillips ...
Coley Reed
Lew Harvey ...
Doc Wilbur
Franklin Batie ...
Jim
John Harron ...
Joe
Tom Wilson ...
Tucker
Colin Campbell ...
Steve Leslie
Noah Beery ...
Bagby
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Storyline

Gus, the trusty family retainer, has hopes of riding his boss' horse, Big Boy, to victory at the Kentucky Derby.

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Genres:

Comedy | Musical

Certificate:

Passed | See all certifications »
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Details

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Release Date:

11 September 1930 (USA)  »

Company Credits

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Technical Specs

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Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

This was the first of two Jolson Broadway vehicles to be filmed; the other was Wonder Bar (1934). See more »

Soundtracks

The Handicap March
(1895) (uncredited)
Music by George Rosey
Lyrics by Dave Reed Jr.
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User Reviews

Hysterical
28 November 2001 | by (United States) – See all my reviews

Now the movie is far from politically correct. But it was made in 1930! Jolson is at his funniest. Sure, he's in blackface for almost all of the film, but this film serves as an historical recording of one of Jolson's biggest Broadway successes. Many people lump Cantor and Jolson together as similar type performers because both did blackface routines. But where Cantor played the scared little man (and played it very seriously, making it all even funnier), Jolson played the aggressive braggart. Jolson's Gus is a wise cracking schemer. His Gus is no Uncle Tom! Jolson is often the butt of the joke and this is a good thing. It softens his aggressiveness and makes him more human. I am only glad that with his massive ego, Jolson allowed himself to be the butt of jokes. The final punch line of the film is side splitting and is a wonderful inside joke. We need to look at these films with a 1930s mentality. We have advanced greatly in the area of tolerance, but we should not condemn performers like Al Jolson and Eddie Cantor who were only appealing to the popular tastes of their time.


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