The Benson Murder Case (1930)A ruthless, crooked stockbroker is murdered at his luxurious country estate, and detective Philo Vance just happens to be there; he decides to find out who killed him. Director:Frank Tuttle |
|
| 0Share... |
The Benson Murder Case (1930)A ruthless, crooked stockbroker is murdered at his luxurious country estate, and detective Philo Vance just happens to be there; he decides to find out who killed him. Director:Frank Tuttle |
|
| 0Share... |
| Cast overview: | |||
| William Powell | ... | ||
|
|
William 'Stage' Boyd | ... |
Harry Gray
(as William Boyd)
|
| Eugene Pallette | ... | ||
| Paul Lukas | ... |
Adolph Mohler
|
|
|
|
Natalie Moorhead | ... |
Fanny Del Roy
|
|
|
Richard Tucker | ... |
Anthony Benson
|
|
|
May Beatty | ... |
Mrs. Paula Banning
|
|
|
E.H. Calvert | ... | |
A murder takes place virtually in front of Philo Vance's eyes which, for all intents and purposes, should mean that even Sergeant Heath could solve it and Philo can go back home. Not quite, and neither can Philo Vance for a long period of time. Written by Les Adams <longhorn1939@suddenlink.net>
Being an avid William Powell and Philo Vance devotee, I was pleased to find that all four of Powell's forays as the effete detective are available on DVD. But beware if you are not a fan of either of the above or of early sound films since you might find this a little too static for your tastes. If you are a fan, then read on.
Powell made four Vance films which got better as they progressed. This one, made in 1930, is still a bit on the stagy side although the acting was improving as the players were becoming more adept at "talkies". It's basically a one set film, taking place in a hunting lodge where a murder takes place and all the suspects are gathered. Powell, as usual, is very debonair and unruffled and Eugene Palette returns in the role of Sergeant Heath. I miss Eteinne Girardot, who played Dr. Doremus, in the later "Kennel Murder Case". He added humor to the story which was less heavy-handed than that of Palette. Watch for Mischa Auer, a mainstay of films in the 30s and 40s, as the butler.
Since this was before the Code, Natalie Moorehead doesn't make a secret of her "profession" but is let off easy in the end by a sympathetic Vance.
This film makes a good addition to the William Powell/Philo Vance series and is certainly worth the watch for the fan. I will not comment on any Vance films made without Powell (except those with Basil Rathbone) as they are not worthy of comment.