Blue collar steelworker Richard Brunton (McCrea) saves two of his fellow workers after an accident at a factory. In gratitude, his boss, millionaire Arthur Parker invites Richard for dinner... See full summary »
Clara Kimball Young,
Nora Moran, a young woman with a difficult and tragic past, is sentenced to die for a murder that she did not commit. She could easily reveal the truth and save her own life, if only it ... See full summary »
John owns the largest chain of five and ten cent stores in the country. He moves his family to New York from Kansas City and their life, though grand, is falling apart due to his constant ... See full summary »
Robert Z. Leonard
A musical revue that basically has Paramount stars and contract-players doing things some had never done on screen, and wouldn't again; such as Ruth Chatteron , in a French-café setting ... See full summary »
Millie Blake has a love affair that goes wrong, so Millie plays the field recklessly from that point on. When she finds out that one of the reckless players from her past has now cast his ... See full summary »
John Francis Dillon
In England, Otis Madison learns from the girl that he loves, Isobel Brandon, that the man she loves is his best friend, John Geste, and so there is nothing that Otis can do but stiffen his upper lip and set sail for Morocco and tell John that he is the man that Isobel loves. This is not easy to do as John is confined to a prison for disgraced Legionaires and the people who put him there aren't overly concerned about who Isobel loves. But the resourceful John promises his love to an Arabian beauty, Zuleika, the 'Angel of Death', which gets him out of prison, and then he has to go after the evil Emir who caused him to fall into disgrace. Isobel waits patiently in England. Written by
Les Adams <firstname.lastname@example.org>
A colossal flop, the film lost nearly $350,000, an astronomical amount of money in the early 1930s. As a result, the story of the Geste family was considered such a financial risk that producers weren't sure that making Beau Geste (1939) eight years later was a good idea. See more »
P.C. Wren wrote the story "Beau Geste" and several film versions have been made. However, few would know that he wrote two sequels, of sorts, and one of them was "Beau Ideal". I have not read the stories so I cannot say how close they are to this movie, but I felt completely underwhelmed by "Beau Ideal". It SHOULD have been a lot better, but the story just wasn't written very well--and perhaps that's the fault of the screen writer. So much of the story just didn't make any sense.
The story begins in a dank prison in the African desert--filled with starving and dying prisoners. Then, abruptly, it jumps back 15 years to England. A group of children are playing at some country estate and one of them is told that it's time for him and his mother to return to their home in America--and he bids them goodbye and his eternal friendship. Then, years later, John Geste (Ralph Forbes) returns from America to England--with the intention of asking the young girl from earlier in the film to marry him. I KNOW this made no sense--they don't seem to have seen each other in the many intervening years. How could a 10 year-old expect, when he grows, to marry a girl he never saw until over a decade later?! But what happens next REALLY makes no sense. He learns that the boys he adored on his previous trip to England had joined the French Foreign Legion (the film was VERY vague as to why). And, all but one of them had died....and the last surviving boy had been sent to a Legion prison!!! Okay...but Geste then tells the grown girl (Loretta Young) that he would take care of the problem. Huh?! Next, you see Geste joining the Foreign Legion. Wow. What a dummy. Friendship is one thing, but this is just dumb. But it gets a lot dumber! He's a good soldier but when there is a mutiny, he claims he was involved and gets himself sent to the same prison as his friend--who he couldn't even recognize because so many years have passed! Hmmmm. Might this be the dumbest character in film history?! Perhaps. I don't know about you, but entering a North African prison does NOT sound like something I'd do voluntarily!!!! Duh...
Soon the film is where it began--with another uprising in this work camp, he and the rest were thrown into a deep pit to rot. Days have passed since they received and food or drink. Eventually, a group of Bedouins arrive and let out Geste and his dying friend--the rest had long since died. It seems the men were left there because the camp had been wiped out--all were dead other than the two. Where all this goes next, you'll have to see for yourself. But understand that once again, some of what happens makes no sense--especially the woman who helps him late in the film AND Geste's apparent ability to dodge bullets! The bottom line is that the desert locale is great and the film has a bit of an epic feel to it. But the script is just bad--very bad. Geste seems idiotic and none of the film seemed the least bit possible. Not a brilliant triumph, my suggestion is to see one of the versions of "Beau Geste" instead.
By the way, the animals used in the films are Bactrian camels from Asia not the single-humped camels from North Africa and Arabia. Perhaps they had trouble getting the correct animals but they hid the second hump very well. But, the Bactrian is much shaggier and stockier and the ones in the movie are indeed Bactrians, not Dromedaries. Wow. I bet you biology professors out there are thrilled to hear this. Others, well...bear with me and my love of minute details!
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