Hester is bored with Gerald who loves her - bored with the Finley Department store - and bored with Demopolis. She leaves town with a traveling salesman named Bloom and the clothes on her ...
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Hester is bored with Gerald who loves her - bored with the Finley Department store - and bored with Demopolis. She leaves town with a traveling salesman named Bloom and the clothes on her back. They go to New York where she moves up to mistress of Mr. Wheeler and is well cared for. When the gang decides to vacation at Lake Placid, Hester is dropped off at Demopolis to see how the old town looks after four years. She sees Gerald and he thinks she is a successful career woman and he still wants to marry her. But it will never happen so Gerald joins the Army to fight in the Great War. Written by
Tony Fontana <email@example.com>
In September 1928, Warner Bros. Pictures purchased a majority interest in First National Pictures and from that point on, all "First National" productions were actually made under Warner Bros. control, even though the two companies continued to retain separate identities until the mid-1930's, after which time "A Warner Bros.-First National Picture" was often used. See more »
Although ostensibly taking place in the 1914-1918 period, all of the women's hairstyles and fashions are from the 1930s, and the featured automobiles are also of a late-1920s vintage. See more »
A very beautiful actress is not always a competent one
Written by Fannie Hurst (Imitation of Life, Back Street), Back Pay is a prime example as to why some silent film actresses took a nosedive. Talkies revealed Miss Griffith's shortcomings as an actress. Although a very beautiful lady, she seems very uncomfortable with dialogue and gives an inconsistent performance. Some of her scenes are well acted but most are not. To be fair, she did give some good performances--in silents--like her Oscar-nominated title role in The Divine Lady (1929). This was her last Hollywood film and her only surviving all-talkie. The other one, Lillies of the Field, is lost. A typical Fannie Hurst tear-jerking melodrama.
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