Ollie is running for mayor when an old flame (Mae Busch) tries to blackmail him with a old photo ('just the same old apple-cheeked boy'). Stan's attempts to help Ollie keep the blackmailer ... See full summary »
In the dead of winter, street musicians Stanley and Oliver aren't getting much business in a run-down neighborhood, and then their instruments are smashed in a run-in with a formidable ... See full summary »
Stan and Ollie take a trip into the mountains ('the high multitude') so that Ollie can recover from gout. Bootleggers have dumped their moonshine in the well from which the boys sample ... See full summary »
On their way to the train station with their wives for a vacation in Atlantic City, Stanley and Oliver get a phone call from a fellow lodge member who tells them a surprise stag party in ... See full summary »
James W. Horne,
Oliver's plans to marry his hefty sweetheart go awry when the girl's father gets a load of her intended groom. They then elope in a tiny car much too small for their combined dimensions, ... See full summary »
After getting lambasted by the Police Chief for the 42 unsolved robberies committed on his watch, Officer Kennedy bamboozles vagrants Stanley and Oliver into a plan to recover his ... See full summary »
Ordered out of town by angry Judge Beaumont, vagrants Stanley and Oliver meet a congenial drunk who invites them to stay at his luxurious mansion. The drunk can't find his key, but the boys... See full summary »
Barbershop owners Stanley and Oliver both answer a personal ad from a rich widow seeking a husband. Oliver hides Stanley's reply and mails just his own. When Oliver receives a proposal of ... See full summary »
Stan and Ollie are down on their luck and beg at an old lady's house for food. While they are eating they overhear a villainous landlord (Finlayson) threatening to evict her if she does not... See full summary »
Homeless, penniless and one step ahead of the police, Stanley and Oliver take refuge in the home of big-game hunter Colonel Buckshot while the owner is on safari. When Lord and Lady Plumtree call to enquire about renting the house, Oliver pretends to be Colonel Buckshot, while Stanley masquerades as both butler and maid. All goes as well as can be expected, with Lady Plumtree and Stanley, in his guise as "Agnes," engaging in girl talk, until the real Colonel Buckshot returns unexpectedly. Written by
Paul Penna <firstname.lastname@example.org>
The main titles for "Another Fine Mess," one of the team's earliest sound comedies, is spoken by two pretty girls in movie usher uniforms. See more »
Lady Plumtree refers to her husband variously as "Leopold," "Ambrose," and "Leopold Ambrose" due to two different versions of the script. See more »
Lord Leopold Plumtree:
[shaking his hand in surprise and pain after the brace holding up the lid of the piano vibrates loose and the lid falls shut and pinches Lord Plumtree's finger]
Oh, I say! I SAY!
Oh, I beg your pardon, Lord Figtree!
Lord Leopold Plumtree:
'PLUMtree!' 'PLUMtree'! Lord Leopold 'Plumtree'!
[He hands Hardy another card]
Ah, a thousand pardons - - my mistake!
See more »
This is an enjoyable remake of the silent feature "Duck Soup", which had played such an important role in establishing Laurel and Hardy as the great comic duo that is now so well- known. This feature follows the same story setup, and expands it slightly while adding in a number of new gags that would not have worked as well on the silent screen.
Once again, Stan and Ollie find themselves forced to impersonate an absent homeowner and his servants, while hosting a prospective renter. The main story is also framed by a brief opening sequence and an interesting, nearly surreal finale. In the main part of the movie, they get a lot of mileage out of the basic situation, and Laurel plays his multiple role in an amusing fashion. James Finlayson gets a couple of good moments near the end, although he does not get as much to do as he did in some of their earlier features.
It packs a lot of material into a little under thirty minutes of running time, and there are a handful of moments when you can just tell that it was an early sound-era movie. But, as this example shows, Laurel and Hardy had little difficulty in successfully adapting their style to the new era.
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