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Anna Christie (1930)

Passed  -  Drama | Romance  -  21 February 1930 (USA)
7.0
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Ratings: 7.0/10 from 1,711 users  
Reviews: 35 user | 19 critic

A young woman reunites with her estranged father and falls in love with a sailor, but struggles to tell them about her dark past.

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(adapted by), (from play "Anna Christie")
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Title: Anna Christie (1930)

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Nominated for 3 Oscars. See more awards »

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Cast

Complete credited cast:
...
...
Matt
George F. Marion ...
...
James T. Mack ...
Lee Phelps ...
Larry
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Storyline

In New York, the alcoholic skipper of a coal barge Chris Christofferson receives a letter from his estranged twenty year old daughter Anna "Christie" Christofferson telling that she will leave Minnesota to stay with him. Chris left Anna fifteen years ago to the countryside to be raised by relatives in a farm in St. Paul and he has never visited his daughter. Anna Christie arrives and she is a wounded woman with a hidden dishonorable past since she had worked for two years in a brothel to survive. She moves to the barge to live with her father and one night, Chris rescues the sailor Matt and two other fainted sailors from the sea. Soon Anna and Matt fall in love with each other and Anna has the best days of her life. But when Matt proposes to marry her, she is reluctant and also haunted by her past. Matt insists and Anna opens her heart to Matt and to her father disclosing the darks secrets of her past. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Plot Keywords:

sailor | love | barge | rescue | coal | See more »

Taglines:

Garbo talks!

Genres:

Drama | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

21 February 1930 (USA)  »

Box Office

Budget:

$376,000 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The Broadway play "Anna Christie" by Eugene O'Neill opened at the Vanderbilt Theater in New York on 2 November 1921 and ran for 177 performances. George F. Marion (Chris) and James T. Mack (Johnny) originated their movie roles in the play. Marion also starred in the earlier silent movie version Anna Christie (1923). To date, the play has been revived 3 times, most recently in 1993 with Natasha Richardson as Anna, Rip Torn as Chris, Liam Neeson as Matt and Anne Meara as Marthy. See more »

Quotes

Anna Christie: Gif me a visky, ginger ale on the side, and don' be stingy, baby.
See more »

Connections

Version of Anna Christie (1936) See more »

Soundtracks

In the Good Old Summertime
(1902) (uncredited)
Music by George Evans
Lyrics by Ren Shields
Played and sung on a gramophone and by Marie Dressler
See more »

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User Reviews

OK Overall; Garbo Makes It More Than Worthwhile
9 February 2005 | by (Ohio) – See all my reviews

This early sound era adaptation of O'Neill's "Anna Christie" would be a decent movie worth seeing on its own, but it is Greta Garbo that makes it particularly worthwhile. The rest of the production is solid, and for the most part, its limitations are common to many other sound movies made in 1930. Garbo herself rises well above the level of the rest of the production, and Marie Dressler is also memorable and effective in her smaller role.

It's easy enough to see why a story like this was chosen for Garbo's first "talking" role. It provides a female central character who offers a ready-made opportunity for an actress like Garbo to demonstrate a good range of abilities, from strength to tenderness, from coarseness to elegance. She has good scenes with several of the other characters. Dressler's raucous performance works well, and she has some very good moments. George Marion is very believable as Garbo's father.

The story itself is an interesting one, with some worthwhile themes, though it does not necessarily lend itself that well to cinema. There are a few times when it might as well just be a filmed stage play, but then there are also a number of times when the camera picks up some good atmospheric details, such as the dockside setting or the New York skyline, that make a good complement to the emotional story.


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