After two sailors are conned into buying a lame race-horse, they go ashore to sort out the problem, but when they realize that the horse is one of a pair of identical twins, their plan for revenge becomes more complicated.
Casino operator Johnny Lamb hires down-on-her-luck socialite Lucille Sutton as his casino hostess, in order to help her and to improve casino income. But Lamb's pals fear he may follow ... See full summary »
Captain Spaulding, the noted explorer, returns from Africa and attends a gala party held by Mrs. Rittenhouse. A painting displayed at that party is stolen, and the Marxes help recover it. Well, maybe 'help' isn't quite the word I was looking for--this is the Marx Brothers, after all... Written by
Ken Yousten <firstname.lastname@example.org>
In 1957, Paramount forgot to renew the soundtrack rights which reverted back to the authors of the play (the studio did renew the picture rights, though). As a result the film could not legally be seen in the USA until 1974, when Universal, which had since purchased Paramount's film library, was persuaded by fan requests to re-release it. See more »
In the scene where Harpo replaces the handgun for a rifle after he shoots himself in the foot, Hives can be seen in the background walking behind the column, clearly waiting to enter later in the scene. See more »
When "Animal Crackers" was re-released after decades in hiding (due to copyright problems), the ticket-buyer & ticket-holder lines at New York's Sutton Theatre stretched down 57th Street for every showing. I was dazzled when I first sat through this film-- it seemed as if there was a kind of magic in the theatre that night. I can remember having goosebumps when Lillian Roth sang "Why Am I So Romantic?".
I was working as manager of the Paris Theatre on 58th Street when "Animal Crackers" opened at the Sutton, and because both houses were part of the Cinema-5 circuit, I was always able to get passes. -- In this case, because I had also worked as 'relief manager' at The Sutton on many occasions, I was well known to the staff and had entry to that theatre whenever I wanted. --During the 'opening' run of "Animal Crackers," I often walked over to The Sutton when my day's shift was complete at The Paris.
I can tell you that every screening of "Animal Crackers" that I attended was packed. And every time I was present for the film's end, I witnessed a standing ovation-- something that many film producers can only dream of.
I often tried to imagine myself attending a 'live' performance of this show. --As many have mentioned here, "Animal Crackers" was a hit Broadway show, starring the Marx Brothers, long before it was filmed by Paramount.
Rather than complaining that this film is "stagey", many who comment here would do well to remember that a film like this is as close to a Broadway show as millions of people will ever get. The annoying penchant some viewers have for wondering why the film version of a Broadway hit show (especially a musical-comedy) isn't more "opened-up" is both tiresome and moot.
Also, the constant comparison of "Animal Crackers" to other Marx Brothers films (especially the later MGM films) is an 'apples-to-oranges' kind of thing. It would make far more sense to compare it to other early filmed-versions of it's Broadway contemporaries, such as "Rio Rita" or "Flying High" or "Girl Crazy"....
Although the stage show of "Animal Crackers" was on Broadway long before I was born, (and the film's initial premier pre-dates me by almost as long), I am forever gratified to have been able to attend the 1974 "re-opening" of the film in New York, and to see, feel, and participate in, the audiences' jubilant reactions.
I rated this film 10/10. It's a perfect comedy, with (theatre-goers will recognize this-) honest-to-goodness Broadway music-- and with Lillian Roth, too. "Animal Crackers" is a great show in every respect.
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