Geoffrey, a young and impoverished writer, is desperately in love with Mavis, who lives at his boardinghouse and is also pursuing a writing career. Unable to marry her because of his ... See full summary »
Karl, a German diplomat in Paris, discovers that his fiancee, Diane, has been cheating on him. He tells her that he would rather marry a "girl of the streets" than her. Outraged, Diane ... See full summary »
Gum-chewing frizzy-haired gold-digger Marie Skinner cooks up a scheme with her lover Babe Winsor, a jazz hound, to fleece a portly, middle-aged real estate tycoon, William Judson. Marie ... See full summary »
Brief vignettes about Lincoln's early life include his birth, early jobs, (unsubstantiated) affair with Ann Rutledge, courtship of Mary Todd, and the Lincoln-Douglas debates; his presidency and the Civil War are followed in somewhat more detail, though without actual battle scenes; film concludes with the assassination. Written by
Rod Crawford <firstname.lastname@example.org>
Although the film credits Gen. Phillip Sheridan for saving Washington from the threat of a Confederate offensive by Gen. Jubal Early, Maj. Gen. Horatio Gouverneur Wright of Sheridan's VI Corps was actually most responsible for saving the capitol. See more »
In Ford's theater, Booth entered through a door behind Mary Todd, to the president's right. In reality, he entered through a door to the back left of Lincoln, and fired just below Lincoln's left ear. The movie also shows him jumping from the box through the far left opening (facing the front); once again, he actually jumped through the right opening, directly in front of the president, nicking the corner of Washington's picture with the spur on his ankle, causing him to stumble when he fell, breaking his ankle. See more »
[Referring to Reconstruction]
We're going to take them back as if they've never been away.
See more »
Battle Hymn of the Republic
(ca 1856) (uncredited)
Music by William Steffe
Lyrics by Julia Ward Howe (1862)
Played during the opening credits and often in the score
Sung by an offscreen chorus during a civil war scene See more »
I think it qualifies as a must-see film for all true scholars of the cinema. That is not to say that it is a good film. It is most certainly not. But this is really a perfect film in which to study the biggest change that this artistic medium ever experienced, the change from silence to sound. The whole film comes off as so, so awkward. It doesn't help that the script is awful. The film is actually over-ambitious, trying hard to cover the entire life of Abe, from birth to death. However bad Abraham Lincoln is, though, I myself found it more than watchable and always fascinating. 6/10.
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