A wealthy young Southern aristocrat, Joseph, graduates from a seminary and, before he takes charge of his assigned parish, decides to go out and see what "the real world" is all about. He ... See full summary »
A family of Polish refugees tries to survive in post-World War I Germany. For a while it seems that they are making it, but soon the economic and political deterioration in the country begins to take their toll.
Brief vignettes about Lincoln's early life include his birth, early jobs, (unsubstantiated) affair with Ann Rutledge, courtship of Mary Todd, and the Lincoln-Douglas debates; his presidency and the Civil War are followed in somewhat more detail, though without actual battle scenes; film concludes with the assassination. Written by
Rod Crawford <firstname.lastname@example.org>
James Bradbury Sr. (Gen. Winfield Scott), Frank Campeau (Gen. Philip Sheridan) and Robert Brower, who plays an uncredited role, are the only actors in the film who were alive during the American Civil War (1861-1865). They were born on October 12, 1857, December 14, 1864 and July 14, 1850, respectively. See more »
In Ford's theater, Booth entered through a door behind Mary Todd, to the president's right. In reality, he entered through a door to the back left of Lincoln, and fired just below Lincoln's left ear. The movie also shows him jumping from the box through the far left opening (facing the front); once again, he actually jumped through the right opening, directly in front of the president, nicking the corner of Washington's picture with the spur on his ankle, causing him to stumble when he fell, breaking his ankle. See more »
There he is! Ugliest, laziest, smartest man in New Salem. Ain't ya, Abe?
Well, I don't mind my face; I'm behind it. It's the people in front that get jarred.
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Battle Hymn of the Republic
(ca 1856) (uncredited)
Music by William Steffe
Lyrics by Julia Ward Howe (1862)
Played during the opening credits and often in the score
Sung by an offscreen chorus during a civil war scene See more »
I think it qualifies as a must-see film for all true scholars of the cinema. That is not to say that it is a good film. It is most certainly not. But this is really a perfect film in which to study the biggest change that this artistic medium ever experienced, the change from silence to sound. The whole film comes off as so, so awkward. It doesn't help that the script is awful. The film is actually over-ambitious, trying hard to cover the entire life of Abe, from birth to death. However bad Abraham Lincoln is, though, I myself found it more than watchable and always fascinating. 6/10.
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