Abraham Lincoln (1930)

User Rating:

6.0/10   

Director:

D.W. Griffith

Writers:

John W. Considine Jr. (story)
Stephen Vincent Benet (adaptation)

Release Date:

8 November 1930 (USA)

Genre:

Biography | Drama | History | War

Tagline:

The wonder film of the century, about the most romantic figure who ever lived!

Plot:

An episodic biography of the 16th President of the United States.

Plot Keywords:

Courtship | Debate | Civil War | President | Assassination

Cast

William L. Thorne	...	Tom Lincoln (as W.L. Thorne)
Lucille La Verne	...	Mid-Wife
Helen Freeman	...	Nancy Hanks Lincoln
Otto Hoffman	...	Offut
Walter Huston	...	Abraham Lincoln
Edgar Dearing	...	Jack Armstrong (as Edgar Deering)
Una Merkel	...	Ann Rutledge
Russell Simpson	...	Uncle Jimmy--Lincoln's Employer
Charles Crockett	...	Sheriff
Kay Hammond	...	Mary Todd Lincoln
Helen Ware	...	Mrs. Edwards
E. Alyn Warren	...	Stephen A. Douglas / Gen. Ulysses Grant
Jason Robards Sr.	...	Billy Herndon (as Jason Robards)
Gordon Thorpe	...	Tad Lincoln
Ian Keith	...	John Wilkes Booth

Also Known As:

D.W. Griffith's 'Abraham Lincoln' (USA) (alternative title)

Runtime:

USA:90 min (TCM print) | 96 min (copyright length)

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.20 : 1

Sound Mix:

Mono (MovieTone)

Certification:

USA:TV-G (TV rating)

Company:

D.W. Griffith Productions

Trivia:

D.W. Griffith had previously filmed Lincoln's assassination at Ford's Theater in The Birth of a Nation (1915).

Goofs:

Anachronisms: Shortly before leaving Mary Todd waiting at the altar (circa 1850), Lincoln opens a drawer and looks at a daguerreotype of his lost love, Ann Rutledge, who had died several years before in 1835. Dagguereotypes did not reach the United States until the mid-1840s.

Quotes:

[an aide suggests that General Lee surrender]
Gen. Robert E. Lee: (grasping sword) Surrender? My poor army! Why I'd rather die a thousand deaths than...
Aide: There, there, General. You must lie down and rest.

Movie Connections:

Featured in A Century of Cinema (1994)

Soundtrack:

In the Gloaming

Griffith showed a new maturity for sound

This being a presidential election year made me curious about this early talkie. I had seen it before but it's been a while and so I wanted to actually go through a diagnosis of the movie itself. So I dragged out an old A&E VHS made copy. Griffith had tackled the Booth assassination of Lincoln before in the silent Birth of A Nation. Here he did it in sound and Ian Keith is great as John Wilkes Booth: "S-I-C T-E-M-P-E-R T-Y-R-A-N-N-I-S... As he yells after he shoots Lincoln at Ford's theatre and jumps onto the stage. And Walter Huston is much more Lincolnesque than Henry Fonda would be ten years later. Also the scene where Lincoln & U.S. Grant are conversating over cigars was kind of priceless. Una Merkel is compelling in an early film performance as Lincoln's first wife Ann Rutledge.

This was Griffith's first sound film and he shows a somewhat uneasiness with the new medium but what director didn't in 1930. Griffith faired better than most. If you can look past the oldness of the film you'll see that this is pretty much a straight forward & accurate & well made(by 1930 standards) telling of the events of Lincoln's life. The sort of way Masterpiece Theatre would later tell stories episodically over many hours decades later. Griffith shows an aptitude for shooting that had already happened in the late silents of Hollywood. He makes quality use of the moving camera. Roving in and out of some scenes. The shot where the soldiers are fighting in trenches during the Civil War are similar to the same kind of shot Lewis Milestone did in All's Quiet On the Western Front which also came out in 1930. But even both of these films hark back to Griffith's own scene in Birth of A Nation where the South is battling the North and the Colonel jumps out of the trench to stoke a cannon.

This was not Griffith's first experiment with sound. He had shot some experimental dialogue scenes for his 1921 feature Dream Street. A short 1921 intro to Dream Street with Griffith talking up the film still exists as well as a 1930 sitdown interview with Huston promo-ing Abraham Lincoln. But Abraham Lincoln showed a 'newer' Griffith. Moving away from the static camera of which he was famous and adopting a more fluid style which was recently introduced by some German directors. Griffith even this late still liked old fashioned 19th century melodrama stories. Lincoln's life story is certainly a subject he could sink his teeth into. He had done bits and parts of Lincoln's life before particularly the Ford's Theatre scene in BoAN. Abraham Lincoln is Not necessarily a great film nor the best of 1930 but a very interesting foray into sound by a great film pioneer and like mentioned before a lot of the Lincoln life is covered quite surprisingly well.