Geoffrey, a young and impoverished writer, is desperately in love with Mavis, who lives at his boardinghouse and is also pursuing a writing career. Unable to marry her because of his ... See full summary »
Sarajevo June 28, 1914. Dushan, the Serbian mayor of a Hungarian town, has come to see the parade of Archduke Ferdinand. While there he runs into Geza, an old friend in the Hungarian Army ... See full summary »
Jeannette Peret, daughter of a cigar-store owner, leaves her Greenwich Village home for France in hopes of finding there the love which eludes her at home. She becomes enamored of le Bebe, ... See full summary »
Judge Moffett is as crooked as they come and the Board of Judicial Corruption is after him. So he hides out in the poor part of town. While there, she drops the bankbook that Moffett has ... See full summary »
Sergeant Benny Walsh, a U.S. Army cavalryman, and his horse, Rodney, share a kindred spirit that is sympathetic to each other's needs. After years of service to his country, Sergeant Walsh,... See full summary »
This remake of West of Zanzibar (1928) made four years later tries to outdo the Lon Chaney original in morbidity. From a wheelchair a handicapped white man rules an area of Africa as a ... See full summary »
Brief vignettes about Lincoln's early life include his birth, early jobs, (unsubstantiated) affair with Ann Rutledge, courtship of Mary Todd, and the Lincoln-Douglas debates; his presidency and the Civil War are followed in somewhat more detail, though without actual battle scenes; film concludes with the assassination. Written by
Rod Crawford <firstname.lastname@example.org>
Because Walter Huston was much shorter than the real Abraham Lincoln, he wore six-inch elevator shoes through most of the film. This is particularly noticeable in the long shots. See more »
Due to the Blue Laws prevalent at the time, no newspaper in America could publish on Sunday in 1809 (Abraham Lincoln was born on Sunday February 12, 1809). See more »
I know the truth, dear. It's goodbye.
No, no, Ann, dear. You're not going to leave me. I won't let you!
We must be brave, dear...
[looking up to the heavens]
Don't take me away. Don't take me away! It's so dark and lonesome!
Ann, you mustn't let go.
If they'd sing, I wouldn't be so afraid.
[a chorus of "Sweet By and By" swells up in the background]
We will meet there, dear.
See more »
Battle Hymn of the Republic
(ca 1856) (uncredited)
Music by William Steffe
Lyrics by Julia Ward Howe (1862)
Played during the opening credits and often in the score
Sung by an offscreen chorus during a civil war scene See more »
This being a presidential election year made me curious about this early talkie. I had seen it before but it's been a while and so I wanted to actually go through a diagnosis of the movie itself. So I dragged out an old A&E VHS made copy. Griffith had tackled the Booth assassination of Lincoln before in the silent Birth of A Nation. Here he did it in sound and Ian Keith is great as John Wilkes Booth: "S-I-C T-E-M-P-E-R T-Y-R-A-N-N-I-S... As he yells after he shoots Lincoln at Ford's theatre and jumps onto the stage. And Walter Huston is much more Lincolnesque than Henry Fonda would be ten years later. Also the scene where Lincoln & U.S. Grant are conversating over cigars was kind of priceless. Una Merkel is compelling in an early film performance as Lincoln's first wife Ann Rutledge.
This was Griffith's first sound film and he shows a somewhat uneasiness with the new medium but what director didn't in 1930. Griffith faired better than most. If you can look past the oldness of the film you'll see that this is pretty much a straight forward & accurate & well made(by 1930 standards) telling of the events of Lincoln's life. The sort of way Masterpiece Theatre would later tell stories episodically over many hours decades later. Griffith shows an aptitude for shooting that had already happened in the late silents of Hollywood. He makes quality use of the moving camera. Roving in and out of some scenes. The shot where the soldiers are fighting in trenches during the Civil War are similar to the same kind of shot Lewis Milestone did in All's Quiet On the Western Front which also came out in 1930. But even both of these films hark back to Griffith's own scene in Birth of A Nation where the South is battling the North and the Colonel jumps out of the trench to stoke a cannon.
This was not Griffith's first experiment with sound. He had shot some experimental dialogue scenes for his 1921 feature Dream Street. A short 1921 intro to Dream Street with Griffith talking up the film still exists as well as a 1930 sitdown interview with Huston promo-ing Abraham Lincoln. But Abraham Lincoln showed a 'newer' Griffith. Moving away from the static camera of which he was famous and adopting a more fluid style which was recently introduced by some German directors. Griffith even this late still liked old fashioned 19th century melodrama stories. Lincoln's life story is certainly a subject he could sink his teeth into. He had done bits and parts of Lincoln's life before particularly the Ford's Theatre scene in BoAN. Abraham Lincoln is Not necessarily a great film nor the best of 1930 but a very interesting foray into sound by a great film pioneer and like mentioned before a lot of the Lincoln life is covered quite surprisingly well.
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