| Jean Hersholt | ... | Julius (Pa) Goldfish | |
| Lina Basquette | ... | Birdie Goldfish | |
| Ricardo Cortez | ... | Morris Goldfish | |
| Rex Lease | ... | Eddie Lesser | |
| Rosa Rosanova | ... | Tilda (Ma) Goldfish | |
| Syd Crossley | ... | Goldfish's Butler | |
| Martha Franklin | ... | Mrs. Lesser | |
| rest of cast listed alphabetically: | |||
| Joe Bordeaux | ... | Crook (uncredited) | |
| Ferike Boros | ... | Delancey Street Woman (uncredited) | |
| Clarence Burton | ... | Poliee Desk Sergeant (uncredited) | |
| Paul Ellis | ... | Crook (uncredited) | |
| Otto Fries | ... | Tradesman (uncredited) | |
| Julia Swayne Gordon | ... | Mrs. Striker (uncredited) | |
| Donald Hall | ... | Minor Role (uncredited) | |
| Leon Janney | ... | Eddie Lesser as a Boy (uncredited) | |
| Julanne Johnston | ... | Irma Striker (uncredited) | |
| Jack Raymond | ... | Pinsky (uncredited) | |
| Bernard Siegel | ... | Minor Role (uncredited) | |
Directed by | |||
| Frank Capra | (as Frank R. Capra) | ||
Writing credits(in alphabetical order) | ||
| Howard J. Green | dialogue | |
| Fannie Hurst | play "It Is to Laugh" | |
| Sonya Levien | writer | |
Produced by | |||
| Jack Cohn | .... | producer | |
Cinematography by | |||
| Ted Tetzlaff | |||
Film Editing by | |||
| Arthur Roberts | (uncredited) | ||
Art Direction by | |||
| Harrison Wiley | (uncredited) | ||
Production Management | |||
| Joe Cooke | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Tenny Wright | .... | assistant director (uncredited) | |
Sound Department | |||
| Ben F. Reynolds | .... | sound cameraman (uncredited) | |
Music Department | |||
| Mischa Bakaleinikoff | .... | musical director (as Bakaleinikoff) | |
Other crew | |||
| Edward Shulter | .... | technical director (uncredited) | |
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| The Jazz Singer | Caught by Wireless | Billy Liar | Old Acquaintance | Sorry, Haters |
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb USA section | Add this title to MyMovies |
*** This comment may contain spoilers ***
Not a typical Capra film by any means (and one that will undoubtedly disappoint even his most steadfast fans), this Columbia part-talkie (copyright 18 March 1929) comes over as a film noir in every sense of the word. The overall mood is decidedly black. Despite the melodramatic story (the heroine's husband, played by Rex Lease, gives himself up to the police instead of seeing a good lawyer who could easily have induced a judge to dismiss the main charge and simply impose a fine for staging a street concert without a license), Capra and his slow-moving players act it out in an overwhelmingly realistic manner. The conclusion is one of the most depressingly downbeat ever! Nonetheless, the film offers a rare chance to see the legendary Lina Basquette at her zenith. Jean Hersholt enthusiasts will not be disappointed either, although I thought he way overdid the schmaltz. The player who came off best, in my opinion, was ever-reliable Ricardo Cortez, who not only succeeded in being perfectly reprehensible but added more than a touch of sympathy to his characterization. At the final curtain, when I saw him, back to the camera, sitting alone in front of the ornate fireplace in his huge but now empty home, I couldn't help but feel overwhelmingly sorry for him.