Wild girls at a college pay more attention to parties than their classes. But when one party girl, Stella Ames, goes too far at a local bar and gets in trouble, her professor has to rescue ... See full summary »
A musical revue that basically has Paramount stars and contract-players doing things some had never done on screen, and wouldn't again; such as Ruth Chatteron , in a French-café setting ... See full summary »
Judy O'Brien is an aspiring ballerina in a dance troupe. Also in the company is Bubbles, a brash mantrap who leaves the struggling troupe for a career in burlesque. When the company ... See full summary »
Roy Del Ruth
Jerry Stafford, a businessman, is in love with his secretary but she deserts him for another man. When she realizes her mistake, she goes back to him. Doris Brown is her girlfriend who is in love with a man named Monty Dunn.
Wild girls at a college pay more attention to parties than their classes. But when one party girl, Stella Ames, goes too far at a local bar and gets in trouble, her professor has to rescue her. Gossip linking the two escalates until Stella proves she is decent by shielding an innocent girl and winning the professor's respect. Written by
One of the earliest of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by MCA ever since. See more »
Have you ever seen the college from here? It's beautiful isn't it? Have you ever thought why it's there? Fifty or sixty years ago, a great woman suffered and slaved to build it. She braved the ridicule of her friends and the abuse of her contemporaries to bring a true freedom to women. Others have given their best to it because they have the same ideals. And what has happened to their ideal? You and others like you have turned the college into a country club for four years. Four years that you ...
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Among those players who were both willing and able to make the transition from silents to talkies we cannot include Clara Bow. This picture rather vividly and graphically shows why. Her acting style is eminently suited to silent films, relying as it does on exaggerated gestures, mannerisms and facial expressions. Accompanied by dialogue, as it is here, such a style seems forced, and badly overplayed. The situation is not helped at all by Fredric March's very low-key performance as her leading man.
If you're going to watch this film, try it with the sound off. You won't miss much, and Clara's acting will be much easier to take.
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