Ambitious shoe salesman, Harold, unknowingly meets the boss' daughter and tells her he is a leather tycoon. The rest of the film he spends hiding his true circumstances, in the store and ... See full summary »
Country Doctor, Jack Jackson is called in to treat the Sick-Little-Well-Girl, who has been making Dr. Saulsbourg and is sanitarium very rich, after years of unsuccessful treatment. His ... See full summary »
Fred C. Newmeyer,
John T. Prince
Episodic look at married life and in-law problems. Adventures include a ride on a crowded trolley with a live turkey; a wild spin in a new auto with the in-laws in tow; and a sequence in ... See full summary »
Fred C. Newmeyer,
Hildy Johnson, newspaper reporter, is engaged to Peggy Grant and planning to move to New York for a higher paying advertising job. The court press room is full of lame reporters who invent ... See full summary »
Charlie is released from prison and immediately swindled by a fake parson. A fellow ex-convict convinces Charlie to help burglarize a house, but Edna, the house's owner, catches them and ... See full summary »
New York, 1980: airplanes have replaced cars, numbers have replaced names, pills have replaced food, government-arranged marriages have replaced love, and test tube babies have replaced ...... See full summary »
Harold Bledsoe, a botany student, is called back home to San Francisco, where his late father had been police chief, to help investigate a crime wave in Chinatown. Written by
Herman Seifer <firstname.lastname@example.org>
Clyde Bruckman's solution for reworking the film as a talkie was to eliminate half the silent version and re-shoot it as a talkie. The remaining half of the picture would be dubbed - - a cumbersome experience that Lloyd found difficult to accomplish. The result was awkward and it's easy to spot the dubbed scenes in the film (most apparent in the scenes Lloyd shares with Noah Young as Officer Clancy). It's readily apparent that Young was especially poor at looping his own voice. See more »
In many of the dubbed scenes, the voices are out of synchronization with the actors' lip movements. See more »
While one can admire Harold Lloyd's willingness to plunge into sound films, this effort is a huge letdown after the brilliance of his silent films, culminating in `Speedy.' Many of the gags go on WAY too long, and sound makes much of the slapstick more painful than funny. It may be that sound also contributes to making Lloyd's character extremely annoying, especially in the early reels. If that weren't enough, the dubbing process used in the scenes not reshot for sound is very primitive and distracting. Worth seeing for Lloyd fans, but not too funny.
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