Oliver invites his friend Stanley over for a nice home-cooked meal, but Mrs. Hardy wants nothing to do with it and walks out. Mrs. Kennedy, Oliver's beautiful neighbor from across the hall,... See full summary »
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Oliver invites his friend Stanley over for a nice home-cooked meal, but Mrs. Hardy wants nothing to do with it and walks out. Mrs. Kennedy, Oliver's beautiful neighbor from across the hall, volunteers to help out, but the boys' bumbling soon has her dress on fire. Her husband, a policeman, investigates the ruckus just as Oliver gets the now partially-unclad Mrs. Kennedy hidden in a trunk. Kennedy's boasting of how he handles his own womanizing backfires when his wife pops out of the trunk and blackens his eye. Meanwhile, Mrs. Hardy has returned and wonders what all the noise is coming from next door. Written by
Paul Penna <tterrace@wco.com>
Considering this was the boy's first talkie the title of this short is quite cute and the film itself is pretty good. There's certainly not that much evidence that L&H were embarking on what was essentially a new career in sound. It must have been a real bonus for their fans to discover how well suited each one's voice was suited to their character. The film's plot is a familiar one of marital spats and misunderstandings culminating in L&H trying to conceal their comely semi-naked neighbour (a sexy Thelma Todd) from Ollie's shrewish wife (Mae Busch) and Todd's jealous husband (Edgar Kennedy).
There's some interesting experimentation with sound here. Hardy and Busch's dialogue overlaps as they argue and it's oddly compelling - as well as funny. The physical comedy is still there too, with numerous pratfalls and a couple of explosions. All in all, an accomplished sound debut from the boys..
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Considering this was the boy's first talkie the title of this short is quite cute and the film itself is pretty good. There's certainly not that much evidence that L&H were embarking on what was essentially a new career in sound. It must have been a real bonus for their fans to discover how well suited each one's voice was suited to their character. The film's plot is a familiar one of marital spats and misunderstandings culminating in L&H trying to conceal their comely semi-naked neighbour (a sexy Thelma Todd) from Ollie's shrewish wife (Mae Busch) and Todd's jealous husband (Edgar Kennedy).
There's some interesting experimentation with sound here. Hardy and Busch's dialogue overlaps as they argue and it's oddly compelling - as well as funny. The physical comedy is still there too, with numerous pratfalls and a couple of explosions. All in all, an accomplished sound debut from the boys..