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Un Chien Andalou (1929)

Un chien andalou (original title)
Not Rated | | Short, Fantasy, Horror | 6 June 1929 (France)
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Luis Buñuel and Salvador Dalí present seventeen minutes of bizarre, surreal imagery.

Director:

(as Louis Bunuel)

Writers:

(scenario) (as Salvador Dali), (scenario) (as Louis Bunuel)
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Cast

Complete credited cast:
...
Young girl (as Simonne Mareuil)
...
Man (as Pierre Batchef)
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Storyline

A surrealistic film with input from Salvador Dalí. Director Luis Buñuel presents stark, surrealistic images including the slitting open of a woman's eye and a dead horse being pulled along on top of a piano. A mysterious film open to interpretations ranging from deep to it all meaning absolutely nothing. It is certain that this short (17 minute) film presented something new in the cinema of its day. Written by garykmcd

Plot Summary | Add Synopsis

Genres:

Short | Fantasy | Horror

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

6 June 1929 (France)  »

Also Known As:

Un Chien Andalou  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

At the Paris premiere, Luis Buñuel hid behind the screen with stones in his pockets for fear of being attacked by the confused audience. Nothing of the sort happened. In fact, the audience loved its mysterious and incomprehensible plot. See more »

Goofs

When the young woman with the box is about to be run over by a car, she raises her hands. At that moment she is not holding the box. In the next shot just before the accident she is holding the box again. See more »

Connections

Referenced in Warhol's Cinema 1963-1968: Mirror for the Sixties (1989) See more »

Soundtracks

Tango Argentino
Performed by Vicente Alvarez & 'Carlos Otero'
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Frequently Asked Questions

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User Reviews

 
Perhaps the most influencing movie in the history of cinema
26 May 2001 | by (Athens, Greece) – See all my reviews

This is a truly ground-breaking movie. Surrealist geniuses Dali and Bunuel combined their powers and produced this short collection of shocking scenes. This is the film that first showed that art is not there only to please the audience but also to annoy and depict our darkest thoughts and dreams. The proof of its success is that nowadays the shock value is almost zero (except the ultra-famous eye scene). What then seemed an outrageous and demoralizing attempt is now common practice. I still think though that given their talents, they could do an even better movie if they were more serious about it, but one should not forget they were two young guys trying to revolt against the establishment.


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