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Un Chien Andalou (1929)

Un chien andalou (original title)
Not Rated | | Short, Fantasy, Horror | 6 June 1929 (France)
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Luis Buñuel and Salvador Dalí present seventeen minutes of bizarre, surreal imagery.

Director:

(as Louis Bunuel)

Writers:

(scenario) (as Salvador Dali), (scenario) (as Louis Bunuel)
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Cast

Complete credited cast:
...
Young girl (as Simonne Mareuil)
...
Man (as Pierre Batchef)
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Storyline

A surrealistic film with input from Salvador Dalí. Director Luis Buñuel presents stark, surrealistic images including the slitting open of a woman's eye and a dead horse being pulled along on top of a piano. A mysterious film open to interpretations ranging from deep to it all meaning absolutely nothing. It is certain that this short (17 minute) film presented something new in the cinema of its day. Written by garykmcd

Plot Summary | Add Synopsis

Genres:

Short | Fantasy | Horror

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

6 June 1929 (France)  »

Also Known As:

Un Chien Andalou  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

David Bowie began every concert in his 1976 "Station to Station" tour by showing this film. (If you've ever heard an audience groan at the opening scene, imagine an entire auditorium, most of whom were undoubtedly seeing it for the first time.) See more »

Goofs

When the young woman with the box is about to be run over by a car, she raises her hands. At that moment she is not holding the box. In the next shot just before the accident she is holding the box again. See more »

Connections

Referenced in Samurai Jack: Jack and the Rave (2002) See more »

Soundtracks

Tristan und Isolde: Liebestod
(Opera)
Written by Richard Wagner
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Weird, Interesting, & Memorable
17 December 2004 | by (Ohio) – See all my reviews

Even those who do not like Buñuel's "Un Chien Andalou" will probably never forget it once they see it. It's one of the weirder and more interesting films that you'll ever run across, and even aside from its significance, it would be worth seeing for the distinctive style and material.

It is also very well-crafted, despite its apparently chaotic narrative (or lack thereof). Even when it is impossible to attach meaning to some of the images, it seems clear that it has been filmed almost exactly as Buñuel and Dali intended. Even the music seems to have been chosen deliberately, and at times it complements the images surprisingly well.

While the exact meanings of many of the symbols are probably deliberately obscure, it strongly suggests some general themes such as desire, frustration, and the like. To attempt to analyze it carefully is almost certainly a mistake, and it is probably best taken as a dream or a dream-like series of events without the kinds of obvious connections that one might want to find.

Likewise, it's hard to determine just how good or how important it may be. The extreme disregard of cinema conventions is hard to evaluate now, in that the movie itself established some alternative conventions of a sort. The images themselves are often fascinating, sometimes unsettling or even off-putting, almost always interesting and suggestive.

Perhaps the one thing that can be said about such a movie without much risk of going astray is that almost anyone who has a real interest in cinema or cinema history will (or ought to) want to see "Un Chien Andalou" for himself or herself. Hearing it described by someone else really cannot adequately convey what it is like.


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