A criminal known as Thunderbolt is imprisoned and facing execution. Into the next cell is placed Bob Moran, an innocent man who has been framed and who is in love with Thunderbolt's girl. ...
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Josef von Sternberg
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A criminal known as Thunderbolt is imprisoned and facing execution. Into the next cell is placed Bob Moran, an innocent man who has been framed and who is in love with Thunderbolt's girl. Thunderbolt hopes to stave off the execution long enough to kill young Moran for romancing his girl. Written by
Jim Beaver <firstname.lastname@example.org>
One of the earliest of over 700 Paramount productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by MCA ever since. However, because of its extreme age, and primitive sound recording techniques, there is no record of it ever having been locally televised. On cable TV it received what may have been its first and only telecast on Turner Classic Movies in August 2016. See more »
For some reason I thought this film was a talkie remake by Josef von Sternberg of his great silent Underworld. Although George Bancroft is again the star here (and won an Oscar nomination for best actor) this is an entirely different storyline.
Bancroft stars a a tough hood in love with Fay Wray. But she's trying to go straight with Richard Arlen, who works in a bank. A man hunt captures Bancroft and convicts him to death row. But even from the cell, Bancroft is able to frame Arlen for a murder during a ban robbery. Arlen is sentenced to death row and ends up across the hall from Bancroft. Will there be fairness? Will there be redemption? As in Underworld, Bancroft is terrific as the obsessed and all-powerful thug. His voice is great as he growls and groans and threatens. Wray looks stunning, and Arlen is good as the innocent man.
For a 1929 talkie, this film has its stagnant moments when the editors didn't know when to cut. But it also features some terrific work by von Sternberg.
The entrance scene into the jazz club is a barrage of trellises and picket fences... quite beautiful... and also boasts a really nice song from Theresa Harris (who usually played a maid). There's also a wondrous scene where Arlen has been hurt and is being tended by his mother (Eugenie Besserer). While's she's applying iodine, he pulls his hands away and the bottle smashes. Both try to clean it up and the scene ends in a giggling tickle fight. Totally unexpected and totally wonderful.
Fred Kohler plays a convict. Tully Marshall is marvelous is a jittery warden.
The ending is probably expected but is beautifully done.
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