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Thunderbolt (1929)

 -  Crime | Drama  -  20 June 1929 (USA)
7.0
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Ratings: 7.0/10 from 230 users  
Reviews: 6 user | 5 critic

A criminal known as Thunderbolt is imprisoned and facing execution. Into the next cell is placed Bob Morgan, an innocent man who has been framed and who is in love with Thunderbolt's girl, ... See full summary »

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(story), (story), 3 more credits »
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Title: Thunderbolt (1929)

Thunderbolt (1929) on IMDb 7/10

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Nominated for 1 Oscar. See more awards »
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Cast

Complete credited cast:
George Bancroft ...
Thunderbolt Jim Lang
...
Ritzy
...
Bob Morgan
Tully Marshall ...
Warden
Eugenie Besserer ...
Mrs. Morgan
James Spottswood ...
'Snapper' O'Shea
Fred Kohler ...
'Bad Al' Friedberg
Robert Elliott ...
Prison chaplain
E.H. Calvert ...
Dist. Atty. McKay
...
Mr. Corwin
Mike Donlin ...
Kentucky Sampson
S.S. Stewart ...
Convict
William L. Thorne ...
Police inspector
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Storyline

A criminal known as Thunderbolt is imprisoned and facing execution. Into the next cell is placed Bob Morgan, an innocent man who has been framed and who is in love with Thunderbolt's girl, without knowing of their relationship. Thunderbolt hopes to stave off the execution long enough to kill young Morgan for romancing his girl. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Taglines:

The dynamic star of the screen

Genres:

Crime | Drama

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

20 June 1929 (USA)  »

Also Known As:

Debandada  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)| (one version)

Aspect Ratio:

1.20 : 1
See  »
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Did You Know?

Trivia

One of the earliest of over 700 Paramount productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by MCA ever since. See more »

Soundtracks

Daddy, Won't You Please Come Home
Written by Sam Coslow
Sung by Theresa Harris with Curtis Mosby and His Orchestra
See more »

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User Reviews

 
A different kind of gangster film...
13 November 2010 | by (United States) – See all my reviews

... at least for early sound. The title character in particular, Thunderbolt, played by George Bancroft, is a rather complex gangster character for a dawn of sound movie. What do you say about a man who'd go to great lengths to kill a fellow he has never met just on general principle but who loves the stray dog that causes him to finally get pinched and put in the death house to the point that when the death house warden grants him a favor, Thunderbolt asks for that same dog to stay in his cell as a pet? Fay Wray, only 21 at the time, plays Ritzy, Thunderbolt's girl, with a sense of world-weariness that is wise beyond her years. When the film opens she's being hassled by the police to give up Thunderbolt's hiding place in some really classic early sound police interrogation scenes. Ironically, she really wants to be free of Thunderbolt, who swears he'll never let her go, especially if there's another guy involved, and there is - bank teller Bob Morgan played by Richard Arlen.

The first third of the film moves about quite a bit with some great jazz age settings, but the last two-thirds is primarily confined to the death house where Thunderbolt awaits his appointment with the chair. There's lots of atmosphere in this one with the death row quartet that keeps getting broken up as one fellow is executed and then restarted as another inmate enters. The death row warden is an interesting fellow, with eccentricity and nervousness balanced by a humane streak to the point that he seems misplaced - he seems like he'd be happier managing the shoe department in some retail store.

The end has a surprised twist to it that makes Thunderbolt rethink his rather complex plan of revenge just as he makes that last walk to the chair. I'm being intentionally vague here so I don't ruin it for you. Watch it for the surprising sophistication of this early sound piece, for the kind of atmosphere you can always count on in a von Sternberg film, and for that general touch of class that you find in the early Paramount talkies.


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