Although his murdered friend was by all accounts a scoundrel a true "bounder" Edward Wales is determined to trap his killer by staging a seance using a famous medium. Many of the 13 seance ... See full summary »
Gunner and Bucker are pals who work as riveters. Whenever Bucker gets the urge to marry, which is often, Gunner will hit on his girl to see if she is true or not. So far, Gunner has not ... See full summary »
13 years before the movie opens, there was a dinner party, at which the 13th guest failed to show up. The master of the manner has died, and left the bulk of his estate to this 13th guest, ... See full summary »
J. Farrell MacDonald
On the run from punishment for a crime committed by his brother, Bertie Cecil (alias Lewis Victor) joins the French Foreign Legion. In Algeria, he becomes the hated rival of his commander, ... See full summary »
Achmet Bey, a Turkish chieftain, catches one of his many wives in adultery and murders her lover. Throwing aside the cuckolding wife, he abducts his harem an innocent girl. However, a brave... See full summary »
Inspector Marney of Scotland Yard travels to Calcutta to investigate the murder of Leonard Lee, a generally despised man in these parts. John Wales, who did consider Lee a friend - his best... See full summary »
Although his murdered friend was by all accounts a scoundrel a true "bounder" Edward Wales is determined to trap his killer by staging a seance using a famous medium. Many of the 13 seance participants had a reason and a means to kill, and one of them uses the cover of darkness to kill again. When someone close to the medium is suspected she turns detective, in the hope of uncovering the true murderer. Written by
Ron Kerrigan <firstname.lastname@example.org>
Recently saw this enjoyable little curio on TCM. Adding to the comments of others on the matter of style, I was surprised to notice several examples of short graceful tracking shots forward or back, just to break up the sense of staginess. (The mansion has very smooth floors!) So it's not that the camera is absolutely static. But Browning avoids close-ups for the most part. What was odd is the editing at certain times, which seems way off. There's one bizarre moment when the actors are clearly gathered in preparation for when the director calls "Action," and then after a few seconds, they abruptly begin speaking to each other in mid-sentence. (I'd like to see someone do a whole movie like that!) There's an equally strange edit when Margaret Wycherley walks out of the frame to confront Bela Lugosi (a few steps away), and then we cut to Lugosi sitting in his chair waiting an awfully long time beside dead space for her to walk into frame. I wonder what that was about?
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