Although his murdered friend was by all accounts a scoundrel a true "bounder" Edward Wales is determined to trap his killer by staging a seance using a famous medium. Many of the 13 seance ...
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Mike Morgan creates the illusions that magicians use in their shows. While his business is Miracles for Sale, his hobby is exposing fake spiritualists. At the club, he is invited to attend ... See full summary »
Prizefighter Mason loses his opening fight so wife Rose leaves him for Hollywood. Without her around Mason trains and starts winning. Rose comes back and wants Mason to dump his manager Regan and replace him with her secret lover Lewis.
Gunner and Bucker are pals who work as riveters. Whenever Bucker gets the urge to marry, which is often, Gunner will hit on his girl to see if she is true or not. So far, Gunner has not ... See full summary »
Although his murdered friend was by all accounts a scoundrel a true "bounder" Edward Wales is determined to trap his killer by staging a seance using a famous medium. Many of the 13 seance participants had a reason and a means to kill, and one of them uses the cover of darkness to kill again. When someone close to the medium is suspected she turns detective, in the hope of uncovering the true murderer. Written by
Ron Kerrigan <email@example.com>
It's noted elsewhere as a "goof" that the actors seem to be caught waiting for their cues, but many of the earliest MGM talkies employed a technique of long lingering inactive moments at the beginning and ending of reels, which apparently are supposed to take the place of leader when they change over, perhaps accommodating the Vitaphone print versions. Years ago, when these titles appeared on TV, they didn't do that, so maybe Movietone versions were more succinctly edited. By WesternOne. See more »
Recently saw this enjoyable little curio on TCM. Adding to the comments of others on the matter of style, I was surprised to notice several examples of short graceful tracking shots forward or back, just to break up the sense of staginess. (The mansion has very smooth floors!) So it's not that the camera is absolutely static. But Browning avoids close-ups for the most part. What was odd is the editing at certain times, which seems way off. There's one bizarre moment when the actors are clearly gathered in preparation for when the director calls "Action," and then after a few seconds, they abruptly begin speaking to each other in mid-sentence. (I'd like to see someone do a whole movie like that!) There's an equally strange edit when Margaret Wycherley walks out of the frame to confront Bela Lugosi (a few steps away), and then we cut to Lugosi sitting in his chair waiting an awfully long time beside dead space for her to walk into frame. I wonder what that was about?
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