Oklahoma mechanic Pike Peters finds himself part owner of an oil field. His wife Idy, hitherto content, decides the family must go to Paris to get "culture" and meet "the right kind of ...
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Oklahoma mechanic Pike Peters finds himself part owner of an oil field. His wife Idy, hitherto content, decides the family must go to Paris to get "culture" and meet "the right kind of people." Pike and his grown son and daughter soon have flirtatious French admirers; Idy rents a chateau from an impoverished aristocrat; while Pike responds to each new development with homespun wit. In the inevitable clash, will pretentiousness and sophistication or common sense triumph? Written by
Rod Crawford <firstname.lastname@example.org>
It starts out slow going and suffers from the early talkie stodginess. But once Will Rogers and family hit Paris, it picks up and has some genuinely funny moments. Example, Rogers sees his daughter and boyfriend clad in white fencing uniforms and says, "Ya got the Kulu Klux Klan here too?"
The humor is on the Beverly Hillbillies level of the clash between the crude if honest Americans vs. the effete French aristocracy. As another reviewer mentioned, the plot closely follows Dodsworth, which is a much finer film. Still it has its moments, mostly belonging to Will Rogers and Fifi D'Orsay who theater buffs will recall from the original cast of Sondheim's 1970's Follies.
Borzage does good work with the cast , especially Rogers from whom he coaxes some sensitive moments. Worth seeing for especially for Borzage or Rogers fans.
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