A Spanish cantina. The toreador enters, sees the waitress being harassed, and confronts the military/police type doing the harassment. She comes to the bullfight.

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Storyline

A barmaid, a Mexican officer and a terrible toreador form a love triangle, as they dance, skip, kiss, punch and slap to the tune of Bizet's "Carmen." Later, the barmaid cheers her lover, and the officer razzes him, during the big bullfight. The toreador and the bull are not above clowning, but never doubt they are two fearsome opponents striving toward a gruesome climax. Written by J. Spurlin

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Plot Keywords:

toreador | love | bull | waitress | matador | See All (33) »


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Release Date:

26 September 1929 (USA)  »

Also Known As:

Toreadoren  »

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Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

According to the DVD commentary track, the model for the toreador caricature was Walt Disney himself. See more »

Connections

Featured in Ink & Paint Club: Symphonic Silly Symphonies (1997) See more »

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User Reviews

 
Has great music, but other than that El Terrible Toreador lives up to its name
24 May 2012 | by (United Kingdom) – See all my reviews

It is not as if I hate Disney, I don't. As a matter of fact, I am a huge fan, and watch their films, cartoons and shows a lot. It's just that El Terrible Toreador never sat well with me, it is my least favourite Disney Silly Symphony and the only one of a cartoon series that contains many solid cartoons and a lot of gems that I disliked. Is there is a redeeming quality. Yes, and it is a big one. The music, which is sprightly and energetic and the Carmen snippets are done with so much zest and authenticity it is musically a delight. I just wish the rest of the cartoon was as good, sadly it is not and mostly lives up to its name.

I appreciate that it tried to do something new story-wise, but the story in both parts really doesn't come together, lacking in character and some of it especially in the second half is baffling. Carmen's dancing is not characterful at all, I read somewhere that it is very rubber hose-style and that is a very apt description, the bullfight sequence is severely undermined by lack of any true tension and characterisation plus the only likable character is a caricature in this scene, and the ending is maybe interesting for seeing what gross-out gags at that time were like but as well as being confusing that's all it is, a very unsubtle gross-out.

I didn't like the characters either, the only one who shines in any way is the Toreador and that is to do with the swagger and style and that in the first half(especially when he steals the man's beer) there is an attempt to give him some character. Carmen is nowhere near flirtatious enough sadly, pretty much the most exciting thing she does here is kick a tray, that's it. I wish I could say the same about the animation as I did the music, but I can't. It is very lacking in any kind of fluidity, and the character designs are the stiffest of any Disney Silly Symphony.

The sound is also crude, and the cartoon is never funny, even the most potentially interesting gag of the entire cartoon failed due to how it was executed and the fact it may offend people. Overall, the music is outstanding and the Toreador, apart from being reduced to a caricature in the second half, is not a bad character. Other than that, right from a story that never feels right and an ending that will leave people gasping with shock or disgust than laughing, El Terrible Toreador sadly does live up to its dubious name. 4/10 Bethany Cox


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