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Tanned Legs (1929)
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Overview
User Rating:
Release Date:
10 November 1929 (USA) moreTagline:
A MARSHALL NEILAN PRODUCTION morePlot:
Peggy (June Clyde) and Bill (Arthur Lake) are high society lovebirds, but their marriage plans are put... more | add synopsisUser Comments:
It's not THE COCOANUTS, but.... moreCast
(Complete credited cast)| Arthur Lake | ... | Bill | |
| June Clyde | ... | Peggy Reynolds | |
| Dorothy Revier | ... | Mrs. Lyons-King | |
| Ann Pennington | ... | Tootie | |
| Albert Gran | ... | Mr. Reynolds | |
| Allen Kearns | ... | Roger Fleming | |
| Sally Blane | ... | Janet Reynolds | |
| Edmund Burns | ... | Clinton Darrow | |
| Lincoln Stedman | ... | Pudgy | |
| Nella Walker | ... | Mrs. Sophie Reynolds | |
| rest of cast listed alphabetically: | |||
| Johnny Johnson | ... | Himself | |
| Johnny Johnson's Orchestra | ... | Themselves | |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
USA:71 min | 66 min (TCM print)Country:
USALanguage:
EnglishColor:
Black and WhiteAspect Ratio:
1.20 : 1 moreSound Mix:
Mono (RCA Photophone System)Filming Locations:
Laguna Beach, California, USAFun Stuff
Goofs:
Crew or equipment visible: In the scene after the bridge game, when the girls run onto the beach in long shot, the microphone is seen coming down over the two girls speaking. It's a flash of a couple of seconds, but quite visible. moreSoundtrack:
You're Responsible moreFAQ
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It is a watchable first-generation film musical. There are some obvious flaws caused by a mostly immobile camera and choreography better suited for the Broadway stage than the Hollywood sound stage, but there are some great strengths to it. Among them are its cast, including Arthur Lake, Sally Blane (Loretta Young's sister) and Lloyd Hamilton, a good if unmemorable set of songs and the opening-out of the action to a beach location -- if you can accept cliffs in seaside Florida, of course.
Leo Tover, whose black-and-white cinematography would be Oscar-nominated in the 1950s, is obviously operating under a considerable handicap. Except for the dance numbers, and a couple of MOS sequence, almost everything is done in medium shots, usually extended two-shots. Still, director Marshall Neilan manages to keep things humming, there are a couple of funny scenes (including a six-handed bridge game) and we get to see a lot of tanned legs.