Thymiane is a beautiful young girl who is not having a storybook life. Her governess, Elizabeth, is thrown out of her home when she is pregnant, only to be later found drowned. That same ...
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Thymiane is a beautiful young girl who is not having a storybook life. Her governess, Elizabeth, is thrown out of her home when she is pregnant, only to be later found drowned. That same day, her father already has a new governess named Meta. Meinert, downstairs druggist, takes advance of her and gets Thymiane pregnant. When she refuses to marry, her baby is taken from her and she is put into a strict girls reform school. When Count Osdorff is unable to get the family to take her back, he waits for her to escape. She escapes with a friend and the friend goes with the Count while she goes to see her baby. Thymiane finds that her baby is dead, and the Count has put both girls up at a brothel. When her father dies, Thymiane marries the Count and becomes a Countess, but her past and her hatred of Meta will come back to her. Written by
Tony Fontana <firstname.lastname@example.org>
Thymiane starts to write a letter to her father, writing with her right hand. When she thinks better of it, she decides to write to Count Osdorff instead. The camera zooms in as she scratches out her father's name, and in the close-up, she is now writing with her left hand. When the camera pulls out, she is writing with her right hand again. See more »
Louise Brooks is Thymian, a girl with an unfortunate tendency to swoon in the arms of unscrupulous men. She has an unwanted baby and, abandoned by her father and cruel mother-in-law is sent to a harsh reformatory from which she escapes only to wake up one morning and discover she is a prostitute. Brooks is charming and effective as Thymian, a delicate, kind-hearted girl whose innocence is only cruelly taken advantage of - she certainly has no trouble getting us on her side and it's partly to do with the sense of childish happiness you feel is ready to burst out of her despite the adversity. She looks even cuter with her hair slicked back in the workhouse. Not as powerful and bleakly tragic as Pandora's Box, made the same year - but, with plenty of humour and some outrageous characterisations, is probably more entertaining.
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