Thymiane is a beautiful young girl who is not having a storybook life. Her governess, Elizabeth, is thrown out of her home when she is pregnant, only to be later found drowned. That same ...
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Lucienne, typist and gorgeous bathing beauty, decides to enter the 'Miss Europe' pageant sponsored by the French newspaper she works for. She finds her jealous lover Andre violently ... See full summary »
A group of German infantrymen of the First World War live out their lives in the trenches of France. They find brief entertainment and relief in a village behind the lines, but primarily ... See full summary »
Georg Wilhelm Pabst
After killing her treacherous step-father, a girl tries to escape the country with a young vagabond. She dresses as a boy, they hop freight trains, quarrel with a group of hobos, and steal ... See full summary »
William A. Wellman
Joe May's sensual drama of life in the Berlin underworld is in many ways the perfect summation of German filmmaking in the silent era: a dazzling visual style, a psychological approach to ... See full summary »
Thymiane is a beautiful young girl who is not having a storybook life. Her governess, Elizabeth, is thrown out of her home when she is pregnant, only to be later found drowned. That same day, her father already has a new governess named Meta. Meinert, downstairs druggist, takes advance of her and gets Thymiane pregnant. When she refuses to marry, her baby is taken from her and she is put into a strict girls reform school. When Count Osdorff is unable to get the family to take her back, he waits for her to escape. She escapes with a friend and the friend goes with the Count while she goes to see her baby. Thymiane finds that her baby is dead, and the Count has put both girls up at a brothel. When her father dies, Thymiane marries the Count and becomes a Countess, but her past and her hatred of Meta will come back to her. Written by
Tony Fontana <firstname.lastname@example.org>
Who would have guessed that these two collaborated in a film superior to Pandora's Box. Pabst and Brooks were a rare combination indeed, and must serve as another decisive exception to the auteur theory. Having just viewed both, I think a case can be made that the Lost Girl film is actually superior to the admittedly better known film. How Krackhaeur could have ignored the value of these two films in his "Caligari to Hitler" book is indeed baffling. The scenes in the "foster" home are fascinating and may indeed say something about the authoritarian mindset of 20s Germany. (The Cabinet of Dr. Caligari is another good example)
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