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Sunnyside Up (1929)

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Ratings: 6.7/10 from 260 users  
Reviews: 22 user | 8 critic

Molly and Bee, sweet young 'working girls,' live in a cheap room over a New York grocery store. Molly's idol, wealthy Jack Cromwell, lives in a Long Island mansion but is markedly less ... See full summary »

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Title: Sunnyside Up (1929)

Sunnyside Up (1929) on IMDb 6.7/10

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Cast

Complete credited cast:
...
...
Jack Cromwell
Marjorie White ...
Bea Nichols
...
Eric Swenson
Mary Forbes ...
Mrs. Cromwell
Peter Gawthorne ...
Lake the Butler
...
Jane Worth
Frank Richardson ...
Eddie Rafferty
Joe Brown ...
Joe Vitto
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Storyline

Molly and Bee, sweet young 'working girls,' live in a cheap room over a New York grocery store. Molly's idol, wealthy Jack Cromwell, lives in a Long Island mansion but is markedly less happy, since his fiancée Jane won't discourage her other admirers. Fleeing in his car, Jack ends up in an urban block party where he meets you-know-who. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Genres:

Comedy | Musical

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Details

Country:

Language:

Release Date:

18 April 1930 (Ireland)  »

Also Known As:

Sunny Side Up  »

Filming Locations:


Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

| (Multicolor) (one sequence)

Aspect Ratio:

1.20 : 1
See  »
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Did You Know?

Trivia

Color sequences now only exist in black and white. See more »

Goofs

(at around 1h) We see a piece of paper that reads "Wednesday, July 10th 1929", then a few minutes later we see an invitation to an affair that reads "Monday, July 12th 1929". Actually, the 10th did fall on Wednesday that year, but the 12th fell on the following Friday. See more »

Quotes

Bee Nichols: Well, now that John Gilbert's married, who is your suppressed desire?
Molly Carr: Rin Tin Tin.
See more »

Connections

Referenced in Everyone Says I Love You (1996) See more »

Soundtracks

IF I HAD A TALKING PICTURE OF YOU
Music by Ray Henderson
Lyrics by Buddy G. DeSylva and Lew Brown
Sung by Charles Farrell and Janet Gaynor with child chorus
See more »

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User Reviews

 
superior early musical
16 October 2010 | by (United States) – See all my reviews

"Sunny Side Up," a major hit in its day, still entertains probably because of the combination of a winsome leading lady (Janet Gaynor), a game director (David Butler) and last but not least an integrated script and score, both created by DeSylva, Brown and Henderson at their creative peak as a trio.

The film opens with a much admired, ambitious crane shot that explores a crowded tenement street, peering into open windows and back out to the cobblestones. Much of the action is stagey and a bit forced, but the spirit behind it is admirable and prefigures a more elaborate and technically slicker sequence in "42nd Street" a few years later. This opening panorama of a certain section of society is echoed later when the action shifts to a garden party at a Southampton Estate.

The sweet-natured story involves a poor working girl (Gaynor) who dreams of pairing with a wealthy high society gentleman (Charles Farrell) whose picture she spots in the newspaper in relation to a charity function. Since this is a movie from the late 1920s with DeSylva, Brown and Henderson songs, her Cinderella dream comes true, making it all the more appropriate that she sing the best song in the film, "I'm a Dreamer, Aren't We All" not once, not twice, but three times, and always to stunning effect despite her weak and wavery vocal chords. She also manages to pull off a dandy vaudeville dance number in a street fair scene. Her leading man, Farrell, fares less well, though he transmits innocence and sincerity as well as a clear and melodious song delivery. Marjorie White and Frank Richardson contribute great supporting energy as pals of Gaynor.

Other outstanding songs are "If I Had a Talking Picture of You" and "Turn on the Heat," the latter a playfully erotic concept wherein Eskimo women are so sexy that they melt their icy surroundings, transforming them into steaming, and eventually flaming, tropics. It is the only big production number in the film, the others being focused on one or two performers in medium close-up.


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