IMDb > Spite Marriage (1929)
Spite Marriage
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Spite Marriage (1929) More at IMDbPro »

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Overview

User Rating:
7.2/10   1,111 votes »
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Down 28% in popularity this week. See why on IMDbPro.
Writers:
Lew Lipton (story)
Ernest Pagano (adaptation)
(more)
Contact:
View company contact information for Spite Marriage on IMDbPro.
Release Date:
6 April 1929 (USA) See more »
Genre:
Plot:
An unimpressive but well intending man is given the chance to marry a popular actress, of whom he has been a hopeless fan. But what he doesn't realize is that he is being used to make the actress' old flame jealous. Full summary » | Add synopsis »
Plot Keywords:
User Reviews:
Buster's last stand See more (19 total) »

Cast

  (in credits order)

Buster Keaton ... Elmer

Dorothy Sebastian ... Trilby Drew
Edward Earle ... Lionel Benmore

Leila Hyams ... Ethyl Norcrosse
William Bechtel ... Nussbaum
Jack Byron ... Scarzi (as John Byron)
rest of cast listed alphabetically:
Joe Bordeaux ... Rumrunner (uncredited)
Ray Cooke ... The Bellboy (uncredited)
Mike Donlin ... Man in Ship's Engine Room (uncredited)
Pat Harmon ... Ship Captain (uncredited)
Sydney Jarvis ... Man in Audience Next to Elmer (uncredited)
Theodore Lorch ... Actor as 'Union Officer' (uncredited)
Hank Mann ... Stage Manager (uncredited)
Charles Sullivan ... Tough Sailor (uncredited)

Directed by
Edward Sedgwick 
Buster Keaton (uncredited)
 
Writing credits
Lew Lipton (story)

Ernest Pagano (adaptation by) (as Ernest S. Pagano)

Richard Schayer (continuity by)

Robert E. Hopkins (titles by) (as Robert Hopkins)

Produced by
Buster Keaton .... producer (uncredited)
Edward Sedgwick .... producer (uncredited)
 
Original Music by
Fritz Stahlberg (uncredited)
 
Cinematography by
Reggie Lanning (photographed by)
 
Film Editing by
Frank Sullivan (film editor)
 
Art Direction by
Cedric Gibbons 
 
Makeup Department
Monte Westmore .... makeup artist (uncredited)
 
Production Management
Edward Brophy .... production manager (uncredited)
Lawrence Weingarten .... production supervisor (uncredited)
 
Stunts
Gil Perkins .... stunts (uncredited)
Bob Rose .... stunts (uncredited)
 
Camera and Electrical Department
George Gordon Nogle .... camera operator (uncredited)
 
Costume and Wardrobe Department
David Cox .... wardrobe
 
Music Department
William Axt .... composer: additional music (uncredited)
Edward Cupero .... composer: additional music (uncredited)
 

Production CompaniesDistributors

Additional Details

Also Known As:
Runtime:
76 min (Turner library print)
Country:
Language:
Aspect Ratio:
1.33 : 1 See more »
Sound Mix:
Certification:
Australia:G | USA:Passed (National Board of Review)

Did You Know?

Trivia:
The scene in which Buster Keaton puts his inebriated bride to bed was later performed on stage by Keaton and his third wife Eleanor Keaton. It is also re-enacted in The Buster Keaton Story (1957).See more »
Goofs:
Continuity: In the dressing-room scene while attempting to trim the hair for his false beard, Elmer accidentally severs the left-hand shoulder strap of his vest and has no time to repair it. When we see him hurriedly changing back into his smart clothes after the performance, both straps are still whole.See more »
Movie Connections:
Referenced in The Taming of the Snood (1940)See more »

FAQ

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1 out of 1 people found the following review useful.
Buster's last stand, 4 January 2011
Author: Michael Neumann from United States

Buster Keaton's last silent comedy was a change of pace from his earlier, independent features, lacking many of his distinctive idiosyncrasies but adding a refreshingly modern love interest with determined, temperamental actress Trilby Drew (Dorothy Sebastian), who unlike most silent film heroines gets angry, gets drunk, and throws a few well-timed temper tantrums. Because it's a corporate comedy from the MGM assembly line the film can be a bit plot-heavy at times, but even so allows room for some now classic routines: a Civil War stage melodrama sabotaged by Buster's accident-prone performance; Buster attempting to put his dead-drunk bride to bed; and a heroic chase and rescue aboard an underworld yacht. If Keaton was now performing gags that might have been suited to anyone (many seem Chaplin-inspired), at least he was doing so with his usual grace and deadpan precision, and the film highlighted a more confidant, aggressive side to his personality rarely seen in his earlier films.

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