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14 out of 17 people found the following review useful:
Maybe the first great work of animation and probably one of the first important sound films, 25 December 2001
10/10
Author: zetes from Saint Paul, MN

Every second of those six minutes is perfect. What a creative little cartoon! This is Disney gold! Four skeletons awake from their graves and dance around, scaring black cats and owls alike. They turn each other into xylophones and do the Charleston! These are six of the most important minutes of film history! 10/10.

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9 out of 9 people found the following review useful:
Sinister and Silly, 5 January 1999
10/10
Author: Squonk from Denver, CO

The Skeleton Dance is simply one of the most entertaining and imaginative animation shorts ever made. It features an amazing mix of both haunting and hilarious visuals. When the skeletons first appear you can somewhat see why in 1929 some people thought this was too gruesome for a cartoon. The fact that it is in black and white enhances the eerie graveyard setting. The animation of Ub Iwerks and music of Carl Stalling are a perfect mix. This should be required viewing for any fan of animation.n/x-comwu

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7 out of 7 people found the following review useful:
The First Silly Symphony Cartoon, 11 September 2000
10/10
Author: Ron Oliver (revilorest@juno.com) from Forest Ranch, CA

A Walt Disney SILLY SYMPHONY Cartoon Short.

The powers of darkness are abroad one dark & stormy night. In a lonely churchyard, graves are opened and THE SKELETON DANCE is performed by four bony fellows who exhibit terpsichorean skills of the most sepulchral sort. The crowing of a cock signals the approach of daybreak and the ghastly hoofers hie themselves back into their grave.

Carl W. Stalling, Disney's music director in the early days, arranged Grieg's 'March Of The Dwarfs' as musical accompaniment to this first entry in the Symphonies series. With Ub Iwerks' masterful drawing, this black & white cartoon still packs a punch today. In 1929 it proved to be completely different from the Studio's Mickey Mouse productions. Indeed, some theater owners found it to be too macabre and refused to show it.

The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most interesting of series in the field of animation. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.

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6 out of 6 people found the following review useful:
Nice, 6 November 2000
10/10
Author: Jeremy J (FesterW) from North Hollywood, California, USA

I was lucky enough to see a 35mm print of this on the "big screen". For Halloween 2000, El Capitan theatre in Hollywood ran "The Skeleton Dance" as the short before 1993's "The Nightmare Before Christmas". It's really nice to see some classic Disney shorts theatrically, rather than video or 16mm. This, being the first Silly Symphony, definitely shows us what was to come from Walt Disney and Ub Iwerks. At the time of its release, sync-sound was only a couple of years old, it's fun to watch (through old films) the progression of sound as the field became more explored and perfected through the years.

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4 out of 4 people found the following review useful:
A landmark of animation!, 10 December 2007
10/10
Author: José Luis Rivera Mendoza (jluis1984) from Mexico

It was in 1928 when sound entered the realm of motion pictures and with it a new age arrived to the young medium and the conventions of an art form were changed forever. This new technology, that allowed movies to be able to have their own musical score independent of the theater's orchestra, entered the mind of a young film director and animator named Walt Disney, who had been producing short animated films with the help of the brilliant cartoonist Ub Iwerks. Disney decided to take advantage of the novelty of sound and create a series of short musical animations to distribute along their Mickey Mouse cartoons (which also began to be produced with sound), in which they would be able to experiment with new techniques, characters and ideas. He named the series, "Silly Symphonies", and the very first one of them, 1929's "The Skeleton Dance", would revolutionize animation forever.

In "The Skeleton Dance", the action is set on an abandoned graveyard during a windy night under the full moon. It is the perfect night for the creatures of the night, and so the bats fly from the belfry, the spiders go out for a walk, and an owl watches scared the action that's about to begin: the dead rise from their graves, and they are ready to dance. A skeleton comes out first, scaring a couple of cats who were fighting, and then he calls his friends, other skeletons who are willing to play some music and celebrate. Using their bones as musical instruments, the Skeletons play a haunting tune, dance to the music, and even dance Ring Around the Rosie, having fun until the moon hides and the new day begins, because as soon as the rooster appears to announce that it's morning, the Skeletons must return to their graves, and prepare themselves for the next time.

Created by Ub Iwerks and Walt Disney, "The Skeleton Dance" is, as its tag-line says, a talking picture novelty in which audiences where able to witness a good song accompanied by an animated film, pretty much similar to what we now know as a musical video. What makes the movie amazing is the way it perfectly mixes the horror atmosphere of its setting with the whimsical comedy that made Walt Disney Productions' short films so popular with the audiences. Skulls, bats, cats and spiders make an apparition in the movie, in what could be the perfect scenario for a horror film, but this time the skeletons only want to have fun. Carl W. Stalling, composer of the film's song (and another influential figure in the history of animation), creates in "The Skeleton Dance" one of the best Disney tunes ever, perfectly putting in his music that mix of horror and humor that the short film embodies.

Ub Iwerks' art shines through the film, and Disney makes sure to take the most advantage of his friend's talent. As written above, they saw the "Silly Symphonies" as a way to experiment, and "The Skeleton Dance" showcases Iwerks and his team making a highly dynamic film, as well as creating pretty impressive sequences where perspective is put to great use. It's also very imaginative the many things they do with their skeletons, specially when they made them use the things found in the cemetery as musical instruments (including cats, and later, their own bones). The choreography of the Skeleton dance is very funny, and one gets the feeling that this group of young animators were truly having fun when making this little film. In many ways, "The Skeleton Dance" was way ahead of its time, and includes elements that years later would be part of the horror genre.

Among Disney's early films, "The Skeleton Dance" is one of enormous importance, as thanks to its big success Disney was able to produce more cartoons of his established characters. It also produced many imitators (WB's "Merry Melodies" and MGM's "Happy Harmonies" being the best of them) and a completely new style of short animations. Sadly, the friendship between Disney and Iwerks would be broken and Iwerks abandoned Disney in 1930 to open his own studio and later to work at Columbia Pictures (where in 1937 he remade "The Skeleton Dance" in color, under the name of "Skeleton Frolics"). While he never found the same success he had with Disney, Ub Iwerks' work proved to be among the most influential in the history of animation, becoming the teacher of other masters like Chuck Jones, and even now, animators today study the magic of Ub Iwerks and his dancing skeletons.

10/10

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3 out of 3 people found the following review useful:
A "Rubber-Hose" Cartoon for Halloween, 14 August 2007
10/10
Author: Julia Arsenault (ja_kitty_71) from Canada

It is AMAZING! I love it! Another great cartoon Halloween (my favorite holiday)! it'll give you the creeps & the shivers and also a very chilling musical score by Looney Tunes' musical director Carl Stalling including "The March of the Trolls" by Edvard Grieg that'll keep you up 'til midnight.

I love when the two black cats fight on two gravestones; 'til they're scare out of their skins by the first skeleton to appear in the cartoon; And when the skeleton tiptoes through the cemetery, he sees the noisy owl (which actually scares him at first), then uses his head--literally, to knock the feathers off the owl (that was funny).I love the graveyard background (very well done),and I think it's mean to use that poor cat like a violin, using a bow and the cat's tail as the strings; Overall an excellent start of The Silly Symphonies

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2 out of 2 people found the following review useful:
by far the best of the Silly Symphonies, 5 February 2007
9/10
Author: didi-5 from United Kingdom

This short film was the first of the Silly Symphony series, which ran under the Disney banner from a decade from 1929 and proved to be an excellent training ground for animation techniques which would become the springboard into Snow White and the later features.

Even though the distributor at the time dismissed 'The Skeleton Dance' with the terse telegram 'More Mice' (a reference to the Mickey cartoons which had just started a few months before), this film is inventive, extremely funny, marries action and sound perfectly (and remember, this was when talkies were still very much in their infancy), and is an absolute hoot even after all these years.

So what's it about? Well, it is about skeletons dancing. And that's about it. But you can see the influence this film had on later animators (there is a sequence in Monty Python for example which references this film quite closely) and there is no doubt that it is a lot of fun.

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1 out of 1 people found the following review useful:
Wonderfully creepy Silly Symphony!, 14 July 2009
10/10
Author: TheLittleSongbird from United Kingdom

Skeleton Dance is definitely one of my favourite Silly Symphonies. Although it is in black and white, (not at all a bad thing) the animation is excellent, and gives a suitably macabre feel. It is very silly, yet creepy at the same time, and you know what, that's why I love it so much. The short, only about five and a half minutes, consists mainly of a skeleton dance, hence the title, that is very well choreographed to conveniently macabre music. The music was very creepy and atmospheric, and added to the appeal of Skeleton Dance. I will confess I did find the first minute or so slightly creepy, and although it is unrealistic it is all part of the fun. Although I found it a highly imaginative short, and well made, considering it was made in 1929. I love all the Silly Symphonies, and I personally think, you are never too old to appreciate Disney, especially with gems like this. 10/10 Bethany Cox.

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1 out of 1 people found the following review useful:
For 1929, it was great!, 1 November 2008
10/10
Author: planktonrules from Bradenton, Florida

This is the very first Silly Symphony short from Disney. While I have never been a huge fan of these films because they are all basically well animated music videos, I sure liked THE SKELETON DANCE. The biggest reason is that for 1929, it was amazingly good--with super animation. Plus the whole package was very high on the cool as well as creepy factors. What a great film to show for Halloween.

Oddly, the opening credits appear in total silence. However, once the film begins the music starts. This certainly got my attention! The film consists of four skeletons in a graveyard coming out at night to dance and have a good time. This would have been very repetitive had the film been longer, but at a little over five minutes, it was just perfect.

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1 out of 1 people found the following review useful:
Crude black and white cartoon is still one of the great animated films, 1 May 2008
10/10
Author: J. Spurlin from United States

The night promises to be a scary one. Lightning flashes. The wind howls. A tree branch in the shape of a hand seems to grab for a frightened owl that spins its head around like a top. The clock on the church tower strikes midnight, sending the bats flying out of the belfry. Two cats on gravestones fight by pulling and stretching each other's noses like taffy. A skeleton rises from behind a gravestone, frightening the fur off the cats. But an owl's hooting scares it, and it retaliates by throwing its skull and knocking the bird's feathers off. It's time for the skeletons to dance; and they perform as no living creatures could.

Less than ten years after this crude black and white cartoon, Walt Disney made "Snow White and the Seven Dwarfs." Disney may have quickly surpassed this film in technical virtuosity, but no one has surpassed it in artistry. "The Skeleton Dance," with its spooky charm and ineffable strangeness, is one of the great animated cartoons.

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