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The Saturday Night Kid (1929)

Jayme and sister Janie are salesgirls in Ginsberg's Department Store. Mayme is in love with store clerk Bill, but Janie tries to steal him from her. Hazel, another salesgirl, is Jean Harlow's first credited role.

Director:

(as Edward Sutherland)

Writers:

(play), (adaptation) | 4 more credits »
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Cast

Complete credited cast:
...
Mayme Barry
...
Janie Barry
...
William Taylor
...
Miss Streeter
...
Lem Woodruff
...
Lily Woodruff
Hyman Meyer ...
Mr. Ginsberg
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Storyline

Jayme and sister Janie are salesgirls in Ginsberg's Department Store. Mayme is in love with store clerk Bill, but Janie tries to steal him from her. Hazel, another salesgirl, is Jean Harlow's first credited role.

Plot Summary | Add Synopsis

Taglines:

Luscious Clara Bow --- TALKING! Every night's a big night when Paramount's bonfire is the life of the party! See more »

Genres:

Comedy | Romance

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Details

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Release Date:

25 October 1929 (USA)  »

Also Known As:

Love 'Em and Leave 'Em  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.20 : 1
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Did You Know?

Trivia

Even though she hated this film, Clara Bow got along very well with Jean Arthur, perhaps in part because both actresses had suffered so much criticism for how their voices recorded in their films. Arthur remembered Bow as being extremely generous and supportive. See more »

Quotes

Miss Streeter: [addressing actors in her pageant by their character names] Stupidity? Go find Pleasure!
See more »

Connections

Featured in Clara Bow: Discovering the It Girl (1999) See more »

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User Reviews

 
Generally unexceptional but some sparkling Bow moments.
24 June 2000 | by (Murray Hill, NJ) – See all my reviews

In THE SATURDAY NIGHT KID, Clara Bow plays Mayme, a salesgirl who's in love with a fellow clerk named Bill (James Hall). Her sister Janie (Jean Arthur) also has eyes for him and schemes to snare for herself. The scenario is ordinary and the resolution is both banal and predictable. Clara Bow's performance in her third talkie is good, proving she could easily handle sound. Unfortunately, her role is, for the most part, colorless and inhibited. Mayme lacks the free-spiritedness and boldness of such roles like Alverna in MANTRAP and Betty Lou in IT; she's just a blandly virtuous heroine searching for true love. It doesn't help that her leading man Hall is uncharismatic and dull.

Occasionally, however, Bow gets to shine. She displays her comedic flair in some funny sequences, particularly a scene where she tries to help the inexperienced Hall in a difficult task without making him look incompetent. Bow also exhibits a flash of her effervescent "It" persona in a flirtatious chasing sequence. And in her big dramatic moments, Clara is persuasive and invigorating, making one regret she rarely had the opportunity for substantial dramatic material.

Jean Arthur is delightfully perfidious as Janie. Among the supporting players, Edna May Oliver as Mayme's snooty, imperious supervisor Miss Streeter and Charles Sellon as Lem Woodruff, the fumbling proprietor of the boardinghouse Mayme, Janie, and Bill live in, stand out. In an early film appearance, Jean Harlow has too minute a role to create any impression.

Overall, THE SATURDAY NIGHT KID is a pedestrian movie that doesn't take full advantage of Bow's talents. Considering that many of Clara Bow's films are lost or deteriorating, however, one should be grateful that this film has been recently restored.


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