Ellen McHugh, a poor Irish immigrant to America, finds work in a carnival and is thus able to send her son Brian to a fine school. But when her position is found out, the school expels ... See full summary »
Philippe De Lacy,
Tom Brown shows up at Harvard, confident and a bit arrogant. He becomes a rival of Bob McAndrew, not only in football and rowing crew, but also for the affections of Mary Abbott, a ... See full summary »
John Randall is an Army cadet at West Point. His younger brother Paul is a midshipman at the Naval Academy. John contrives to help Paul's timid romantic interest in Nancy Wayne by pretending to be interested in her himself. Paul, however, takes offense, and determines to beat his brother in the Army-Navy football game on purely personal grounds. Meanwhile, Paul and fellow midshipman Albert Price are hazed and tormented by upperclassmen. Written by
Jim Beaver <firstname.lastname@example.org>
Okay, I'm watching all of John Ford's movies in order right now. I just finished watching Salute, and I will say one of two things happened during the making of it. Either John Ford was briefly sucked into another dimension or Ford is playing a big joke on all of us.
If I had seen this movie on TCM without seeing the credits I think I would have assumed that it was some rarely seen B-movie directed by someone I'd never heard of, but this was Fox's biggest grosser of 1929.
I really can't explain what is going on in the movie. It really is almost plot less with little vignettes of new recruits lives at the naval academy. It was really cool to see John Wayne and Ward Bond in the earliest speaking roles I have seen, but they really weren't actors then and their line readings are so stilted, but not just those two everybody talks bizarrely. Not to mention Stepin Fetchit who has to be the most bizarre character I've ever seen.
I mean there is the whole setup of these to brothers being in the military, but all that ever happens is that they play football.
Somehow this movie felt like it was a home movie that was released accidentally, I really can't see John Ford directing John Wayne to throw a pie at someone's face.
My conclusion is that John Ford and the crew must have gotten drunk, Ford passed out they kept the cameras rolling, all of the actors filmed their improvisations, then Ford woke up and edited together in something that might vaguely resemble a movie.
I can't rate this because I'm not sure if its a work of genius or the accidental work of a sleeping man., or maybe I was right in the beginning...its all one big practical joke on the audience.
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