The road-show troupe of a top Broadway show go cross-country while taking the audience along on the on-stage scenes as well as what happens and is happening back stage of the production. ...
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Lou Ricarno is a smart guy. His plan is to organize the various gangs in Chicago so that the mugs will not liquidate each other. WIth the success of his leadership, Louie prospers, marries ... See full summary »
A sincere working-class 13-year old in France is adopted by a well-meaning philanthropic millionairess from America -- who promises his doting mother that the boy will have the finest education -- but things are not so simple.
Dowdy housewife Kitty dotes on her self-centered husband but divorces him when his mistress shows up at their home one day to break up their marriage. Bob had become bored with her ... See full summary »
Robert Z. Leonard
Rod La Rocque,
A lad with a penchant for trouble is sent to live with his aunt and uncle in Indiana. Though he's not happy about the arrangement at first, his love of horses and his affection for a young ... See full summary »
The road-show troupe of a top Broadway show go cross-country while taking the audience along on the on-stage scenes as well as what happens and is happening back stage of the production. The spectacular dancing ensembles and colorful costumes and pulchritude on-stage offers a contrasting background to the drabness of the backstage, where joy, sorrow, tragedies, deception, and romance are intertwined. Written by
Les Adams <firstname.lastname@example.org>
In its original format, the film contained 1249 feet of 2-strip Technicolor footage which, unfortunately, is either lost or unavailable at the present time; this unhappily includes the "Everybody Tap" number at the beginning of Reel #5, and the "Happy Days Are Here Again" finale in Reel #11. See more »
Say, where's Terry? Did you lose him in that chop suey joint?
Oh, I guess he couldn't find the place. He'll maybe wind up in some chink laundry lookin' for me.
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Pretty big role for Jack Benny in his very first film acting role, playing someone besides himself (acc to IMDb). He rattles off many of his one-liners as Eddie, part of the big traveling (and unraveling) road show. He should know, after all those years of vaudeville, before getting his own radio and TV shows. This movie is all about taking the show on the road, and Bonnie's (Marie Dressler) facial expressions as she gets elbowed, steam-blasted by the train, and insulted by the rest of the cast. Dressler was showing her age here (sixty something, with pretty big bags under her eyes) but that didn't slow her down any. She made SEVEN films in 1930, and only made a couple more before passing away in 1934. Two of her last ones were biggies, Tugboat Annie, and Dinner at Eight! Co-stars Bessie Love (Carlie) and Polly Moran (Polly) had also started in the silents and continued on with the talkies. Lots of backstage jokes and chiding each other, mostly by Eddie and Polly. Also an on again, off again love story between Carlie and Terry (Charles King, who only made a few films). Some serious, touching moments between the girls as they talk over their intentions regarding the men-folk. Sad to note that the color song and dance portions are missing in action - hopefully someday they will be found. Directed by Charles Reisner, who had worked his way up through every occupation, starting with the silents. Written by Robert Hopkins, who would be nominated for an Oscar for his writing on San Francisco (1936). Good story, no plot holes, very family friendly. I really enjoyed watching this one.... it wasn't as hokey as a lot of those "back-stage, behind the scenes stories" were back then. Good to see J. Benny in an early role.
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