Danny and Steve are migrant farm workers who wind up in Cat Tail, Florida. Cat Tail is run by Madden Packing and Danny works for Madden while Steve works for the underdog farmer named Nick.... See full summary »
A mother (Marsha Hunt) wants her son (William Prince) to grow up to be a pianist good enough to play at Carnegie Hall but, when grown, the son prefers to play with Vaughan Monroe's ... See full summary »
Produced by the Army Pictorial Service, Signal Corps, with the cooperation of the Army Air Forces and the United States Navy, and released by Warner Bros. for the War Activities Committee, ... See full summary »
The setting is Argentina. When an outlaw band holds up a stage, their leader finds an old man from Spain who has just arrived to marry into a very rich family. So he assumes his identity ... See full summary »
Hard-hitting news editor Jim Branch falls for high-society type Sharon Norwood but can't get to first base as he continually makes use of her knowledge of the rich and famous to try to ... See full summary »
Robert Z. Leonard
A grumpy old fisherman tries to avoid marriage, contend with a daughter he never knew he had and scuttle the attempts of landlubbers who want to rob him of his seagiong livelihood, while the locals try to reform him.
When we see people dancing at the Fremont Cafe at the start of the movie while the Fremont Bank is being robbed next door, gunshots and shouts are heard on the soundtrack. The dancers however do not react at all to the shots until the next scene when they are seen panicking. See more »
An interesting film for aficionados of film history
Though Rio Rita has a big reputation among aficionados, I think it's probably due more to its success as a stage vehicle than as a film.
Nevertheless, for those who are interested in historical films, I feel Rio Rita serves as a good example of the kinds of obstacles that faced early film makers and actors. As the sound and music was recorded live, there are a number of mistakes, slips and awkward moments. But rather than detract, I think it's interesting to see how the actors and staff negotiated these difficulties. Particularly in the reprise of "Sweetheart We Need Each Other" you can see Dorothy Lee struggling to follow the conductor while Bert Wheeler keeps on distracting her, while Helen Kaiser is clearly trying to follow Lee but both Woolsey and Wheeler keep on getting in her way.
Then there are moments that, because the recording was done live, are just over the top. The most hysterical moment has got to be when, after 5 minutes of singing and tap-dancing in a single take, and then after a series of double summersaults, Bert Wheeler literally jumps on Dorothy Lee's back and rides piggy-back while she resumes singing. Wow!
And of course, with so few surviving films with two-strip Technicolor, it's always interesting to see how early film makers took advantage of it.
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