The Arizona Kid (Warner Baxter) carries out his mission as a Robin Hood-type bandit while posing as a wealthy and carefree miner. He falls for an eastern girl, Virginia Hoyt (Carole Lombard... See full summary »
Theodore von Eltz
Eddie Kehoe is a young vaudeville hoofer who thinks his inability to hit the big time is the fault of stage managers, agents, musicians...everybody but himself. Eddie likes to tell others ... See full summary »
Paul L. Stein
When the boyfriend of a rich, bored socialite dies from a weak heart, she finds herself attracted to the doctor who treated him, a hard-working idealist decidedly different from the usual spoiled society rich kids she is used to.
A relationship gradually develops between a savvy New York street girl and a good-hearted cab driver--who first meet when she stiffs him for the fare--but other matters keep getting in their way, including financial problems and a murder.
A nightclub singer marries the rich owner of a rubber plantation. When she returns with him to his estate in Malaysia, she finds out that he is cruel, vicious and insanely jealous. She and ... See full summary »
This is the story of an egotistical nightclub dance performer named Raoul, his determination to succeed at all costs, and the only woman in his life that truly matters to him, a dancing ... See full summary »
Tough mobster Mahlon Keane practically runs crime in New York City. He meets broke ex-society girl Rhoda Philbrooke at a society fundraiser and helps her cheat her way to some winnings in poker. Rhoda needs the money to help nurse broken alcoholic concert violinist Tony Vaughan back to health. In between his criminal dealings, Keane takes up Rhoda's cause and helps promote Vaughan's return to public performance. Rhoda agrees to marry Keane but still harbors unrequited love for Tony Vaughan. On the eve of her marriage, Vaughan confesses his love to Rhoda. Now how will she handle her mobster fiancée? Written by
Gary Jackson <firstname.lastname@example.org>
The earliest documented telecast of this film occurred in Los Angeles Thursday 17 February 1949 on KFI (Channel 9). See more »
When Gus spots rival gangster Bernie Weber riding in the back of a taxi, he tells his driver Squid to pull alongside it so he can shoot him. Gus refers to it as a gray cab, and in the studio close-up it appears to be white or at least a very light gray. In the subsequent cut to the location shot done outdoors on location, the cab with the dead mobster appears to be black. See more »
Well mounted, interesting story about suave racketeer Armstrong falling for impoverished deb Lombard, hampered a bit by the declamatory style of speaking any speech longer than three words and apparent immobility of microphones.
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