The Racketeer (1929)A dapper gangster sponsors an alcoholic violinist in order to win the love of a glamorous divorced socialite. Director:Howard Higgin |
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The Racketeer (1929)A dapper gangster sponsors an alcoholic violinist in order to win the love of a glamorous divorced socialite. Director:Howard Higgin |
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| Complete credited cast: | |||
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Robert Armstrong | ... |
Mahlon Keane
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| Carole Lombard | ... |
Rhoda Philbrooke
(as Carol Lombard)
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Roland Drew | ... |
Tony Vaughan
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Paul Hurst | ... |
Mehaffy
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Kit Guard | ... |
Gus
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Al Hill | ... |
Squid
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Bobby Dunn | ... |
The Rat
(as Bobbie Dunn)
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Budd Fine | ... |
Bernie Weber
(as Bud Fine)
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| Hedda Hopper | ... |
Mrs. Lee
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Jeanette Loff | ... |
Millie Chapman
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John Loder | ... |
Jack Oakhurst
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Winter Hall | ... |
Mr. Chapman
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Winifred Harris | ... |
Mrs. Chapman
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Tough mobster Mahlon Keane practically runs crime in New York City. He meets broke ex-society girl Rhoda Philbrooke at a society fundraiser and helps her cheat her way to some winnings in poker. Rhoda needs the money to help nurse broken alcoholic concert violinist Tony Vaughan back to health. In between his criminal dealings, Keane takes up Rhoda's cause and helps promote Vaughan's return to public performance. Rhoda agrees to marry Keane but still harbors unrequited love for Tony Vaughan. On the eve of her marriage, Vaughan confesses his love to Rhoda. Now how will she handle her mobster fiancée? Written by Gary Jackson <garyjack5@cogeco.ca>
I enjoyed this 66 minute film despite the overly theatrical delivery of almost every line. One gets the impression that this film was directed by an eighth grade home economics teacher. Despite this annoying drawback, the story is sweet and there is a genuine chemistry between the leading lady, Carole Lombard, and the head gangster played by Robert Armstrong.
Carole Lombard is attractively photographed and has a large amount of quality screen time here. She is pulled in two directions by two men who genuinely care for her. One is a concert violinist who we are introduced to early on in the picture as a man who has been reduced to nothing more than a bum in the gutter. The other is the suave gangster who for the first time has found something in this life greater than himself. The question is: who needs her most and who truly loves her? And in what direction will fate allow her to go.
The dramatic ending will tug at your heart-strings. This was Carole's last picture for Pathe studios.