Young lawyer meets and marries girl after knowing her one day. Takes bride home to meet his mother who disapproves of the marriage. Lawyer thinks everything will be fine as he moves up the ... See full summary »
Joe Merrill, son of the millionaire owner of a chain of 5 and 10 cent stores, poses as Joe Grant, and takes a job in the stockroom of one of his father's stores, to prove that he can be a ... See full summary »
Charles 'Buddy' Rogers,
A young American girl visits Paris accompanied by her fiancee and her wealthy uncle. There she meets and is romanced by a worldly novelist; what she doesn't know is that he is a blackmailer who is using her to get to her uncle.
Rene is broke and Kay is a rich actress visiting Paris. They meet, share a cab and dinner. He is smitten by her, but she leaves for London and he follows. At her house, when he cooks the ... See full summary »
Gangster Shoots Magiz is the producer of the show in which Mary is appearing. She marries him even though she can't stand a thing about him, knowing that in his business he may not be ... See full summary »
Tony (Charles Laughton), a successful but illiterate middle-aged grape farmer, sends the photograph of his handsome young foreman, Joe (William Gargan), instead of his own, hoping to woo ... See full summary »
Tough mobster Mahlon Keane practically runs crime in New York City. He meets broke ex-society girl Rhoda Philbrooke at a society fundraiser and helps her cheat her way to some winnings in poker. Rhoda needs the money to help nurse broken alcoholic concert violinist Tony Vaughan back to health. In between his criminal dealings, Keane takes up Rhoda's cause and helps promote Vaughan's return to public performance. Rhoda agrees to marry Keane but still harbors unrequited love for Tony Vaughan. On the eve of her marriage, Vaughan confesses his love to Rhoda. Now how will she handle her mobster fiancée? Written by
Gary Jackson <firstname.lastname@example.org>
When Gus spots rival gangster Bernie Weber riding in the back of a taxi, he tells his driver Squid to pull alongside it so he can shoot him. Gus refers to it as a gray cab, and in the studio close-up it appears to be white or at least a very light gray. In the subsequent cut to the location shot done outdoors on location, the cab with the dead mobster appears to be black. See more »
The good story and Carole Lombard's performance make "The Racketeer" one of the movies of the very early sound era that still holds up all right. It does have the flaws common to the earliest sound movies, with some shaky dialogue delivery, an erratic pace, and weak sound quality. But these do not keep it from being worth seeing, and in any case even the better movies of 1929 usually had some of these same problems.
Lombard has a very good role as a somewhat mysterious divorcée caught between two very different men. Robert Armstrong plays the gangster who helps both her and her other boyfriend. The third member of the triangle is a drunken violinist played by Roland Drew. Drew gives a rather nondescript performance, but at least the character is interesting. More than that, the setup does a good job in varying the usual formula so as to set up some good drama.
The atmosphere holds up well, and although some individual sequences have oddly chosen pacing, as a whole the story moves along pretty well. It easily holds your interest for the whole running time. It compares favorably with many of the movies of its day, and it is still a solid feature worth seeing for those who enjoy the movies of the era.
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