IMDb > Piccadilly (1929)
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Piccadilly (1929) More at IMDbPro »

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User Rating:
7.2/10   864 votes »
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Arnold Bennett (original screenplay)
View company contact information for Piccadilly on IMDbPro.
Release Date:
1 June 1929 (USA) See more »
A young Chinese woman, working in the kitchen at a London dance club, is given the chance to become the club's main act which soon leads to a plot of betrayal, forbidden love and murder. Full summary » | Add synopsis »
Plot Keywords:
1 win See more »
(9 articles)
The Forgotten: E.A. Dupont's "Atlantic" (1929)
 (From MUBI. 31 March 2016, 7:36 AM, PDT)

Daily | Goings On | Silents, Rivers, Akerman
 (From Keyframe. 3 December 2015, 10:48 AM, PST)

The Forgotten: John Brahm's "Broken Blossoms" (1936)
 (From MUBI. 15 April 2015, 8:28 PM, PDT)

User Reviews:
Interesting Blend of Elements, & A Dazzling Performance By Anna May Wong See more (34 total) »


  (in credits order) (verified as complete)

Gilda Gray ... Mabel Greenfield

Anna May Wong ... Shosho

Jameson Thomas ... Valentine Wilmot

Charles Laughton ... A Nightclub Diner
Cyril Ritchard ... Victor Smiles (as Cyrill Ritchard)
King Hou Chang ... Jim (as King Ho Chang)
Hannah Jones ... Bessie
rest of cast listed alphabetically:
Gordon Begg ... Coroner (uncredited)
Debroy Somers and His Band ... Band at the Piccadilly Club (uncredited)

John Longden ... Man from China (uncredited)

Ray Milland ... Diner in Nightclub Scene (uncredited)
Charles Paton ... Doorman (uncredited)
Ellen Pollock ... Vamp (uncredited)
Jack Raine ... Diner in Nightclub Scene (uncredited)
Debroy Somers ... Bandleader (uncredited)
Harry Terry ... Publican (uncredited)

Directed by
Ewald André Dupont (uncredited)
Writing credits
Arnold Bennett (original screenplay)

Produced by
Ewald André Dupont .... producer (uncredited)
Original Music by
Harry Gordon (uncredited)
Cinematography by
Werner Brandes (photography)
Film Editing by
J.W. McConaughty (uncredited)
Art Direction by
Alfred Junge 
Second Unit Director or Assistant Director
Ronald Goetz .... assistant director (uncredited)
Edmond T. Gréville .... assistant director (uncredited)
Camera and Electrical Department
Fred Daniels .... still photographer (uncredited)
Music Department
Eugene Conte .... music compiler (US release)
Crew verified as complete

Production CompaniesDistributors

Additional Details

Also Known As:
92 min | 109 min (restored version)
Aspect Ratio:
1.33 : 1 See more »
Sound Mix:
UK:PG (DVD) | UK:A (original rating) | USA:TV-PG (TV rating)

Did You Know?

This film was screened for free at the Royal Festival Hall in London on Saturday 12th September 2009 as part of the Thames Festival. It was accompanied by a live performance of a new score written by Ruth Chen and Suki Mok.See more »
Factual errors: During the inquest, the handgun is repeatedly referred to as a revolver. It is obviously a small semiautomatic, and not a revolver.See more »
Movie Connections:
Featured in Elstree Story (1952)See more »
When Love Comes StealingSee more »


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24 out of 24 people found the following review useful.
Interesting Blend of Elements, & A Dazzling Performance By Anna May Wong, 7 March 2005
Author: Snow Leopard from Ohio

With a very interesting blend of elements including a convincing Jazz Age setting, effective expressionist-style photography, and a tight story filled with human passion, "Piccadilly" would make for interesting viewing in itself. But it is Anna May Wong's dazzling performance that stands out, even above everything else in the movie.

Set in the "Piccadilly" night club, the story ostensibly stars Jameson Thomas as the club owner, and Gilda Gray as one of the club's star dancers. But it's Wong's character who drives most of the story, and indeed, as soon as Wong comes on screen, it quickly becomes hard to pay much attention to the other characters, except insofar as they interact with her and her plans. The rest of the cast is solid, and there's nothing to criticize about their performances, but they cannot compete with Wong.

What makes Wong's performance so stunning is not only her obvious allure, but also the way in which she plays the role. She communicates a great deal about her character's thoughts and feelings by the most economical and well-chosen of gestures and movements, and by so doing she makes her dominance over the other characters quite convincing. Her little smirks can be devastating, and her subtle encouragements can be nearly overwhelming.

The story is told with good style, making very effective use of lighting and settings to complement the fluid cinematography. The opening sequence is well-conceived, both in pulling the viewer into the world of the characters, and in setting up the story. This part also includes a brief appearance by Charles Laughton in an amusing role.

From there, things build up steadily to a melodramatic, twist-filled final 10 minutes or so. The climactic series of events is made more effective by the careful build-up, and by the way that Wong has made Shosho such a vivid and believable character, one who is more than capable of creating strong feelings in the other characters. It all makes "Piccadilly" well worth seeing.

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