IMDb > The Pagan (1929) > Reviews & Ratings - IMDb
The Pagan
Top Links
trailers and videosfull cast and crewtriviaofficial sitesmemorable quotes
main detailscombined detailsfull cast and crewcompany credits
Awards & Reviews
user reviewsexternal reviewsawardsuser ratingsparents guide
Plot & Quotes
plot summarysynopsisplot keywordsmemorable quotes
Did You Know?
triviagoofssoundtrack listingcrazy creditsalternate versionsmovie connectionsFAQ
Other Info
box office/businessrelease datesfilming locationstechnical specsliterature listingsNewsDesk
taglines trailers and videos posters photo gallery
External Links
showtimesofficial sitesmiscellaneousphotographssound clipsvideo clips

Reviews & Ratings for
The Pagan More at IMDbPro »

Write review
Filter: Hide Spoilers:
Page 1 of 2:[1] [2] [Next]
Index 17 reviews in total 

23 out of 24 people found the following review useful:


Author: Jon Kolenchak from Pittsburgh, PA USA
26 December 2002

Ramon Novarro is quite charming in the title role of this little-known film. All of the other stars also do a superb job: Renee Adoree, Dorothy Janis, and Donald Crisp. It's amazing to me how natural and contemporary this film seems after 72 years. Novarro is funny, dramatic and quite believable in the title role.

It just about breaks one's heart to realize that Renee Adoree died at the age of 35, about 3 years after the release of this film. If you enjoy her in this film, be sure to see her performance in "The Big Parade".

Donald Crisp's role harkens back to his character in "Broken Blossoms", and his is the only performance in this film that teeters a little toward the melodramatic side.

Viewers may also be interested to know that Novarro had attempted a legitimate singing career in opera and recitals, and it is his voice you hear in the overdubbed recording.

Was the above review useful to you?

19 out of 21 people found the following review useful:

Actually first talkie sequences for Ramon Novarro

Author: kevintdoherty from United States
27 March 2006

While this film is a silent with synchronized score, there are two short scenes where Novarro sings a portion of the theme, "Pagan Love Song". First, when he is thrown off the boat by Donald Crisp and toward the climatic end when he lays down, humming the tune, and finds Crisp's cane.

You can hear him tapping the cane against the bamboo hut "live", not added sound. Both of these scenes are in perfect sync (probably Vitaphone--sounds like disc surface noise). You can usually tell the "sound stage sound" as opposed to studio sound added later.

The reason for these two short sequences is probably because the film was filmed "on location" in the Pacific. At that time, location sound recording would have not been practical. The scenes were most likely shot on a sound stage at M-G-M. Many silents were still in production in 1929. Adding sound sequences, or "goat glands", as they were called, was a transitional way of making silents "part-talkies", as referred by Photoplay magazine.

Was the above review useful to you?

19 out of 22 people found the following review useful:

Ramon Novarro's Final Silent Film

Author: Ron Oliver ( from Forest Ranch, CA
5 August 2000

Henry Shoesmith is THE PAGAN, a happy, handsome half-caste, perfectly attune with his South Seas home. Henry is also the owner of the largest cocoanut plantation on the island, which arouses the greed of an unscrupulous white trader with a beautiful native 'ward'...

Ramon Novarro is charming in this, his final silent film. Once again, MGM has their Mexican star playing another in his wide range of ethnic roles. Here he is a Polynesian, but he plays his part so well, and is obviously having such a good time, that he gives one of his most entertaining of performances.

He is served well by his excellent supporting cast. Dorothy Janis is Novarro's beautiful love interest - innocent, vulnerable & passionately in love. Donald Crisp is superb as the villainous white trader, consumed with lust for the girl he calls his 'Christian duty' and embittered with hatred for Novarro. His final fate is most proper & welcome. Renée Adorée scores as the island harlot, a staunch friend to both Novarro & Janis.

Directed by peripatetic W. S. Van Dyke, the location filming in & around Papeete, Tahiti enhances the story greatly.

Coming as it did at the very cusp of the new talkie era, this is essentially a silent film with an effective soundtrack that includes musical interludes & background dialogue. Novarro croons 'Pagan Love Song' (by Nacio Herb Brown & Arthur Freed) to good effect - giving Hollywood one of its first hit tunes - and his fine singing voice would be heard again in forthcoming films.

Was the above review useful to you?

17 out of 19 people found the following review useful:

Entertaining fare

Author: Servo-11 from United States
17 May 1999

I love this movie! I've seen it about four times, and every time I see it, Ramon Novarro gets cuter and cuter. He portrays the lazy and carefree islander to perfection, and Renee Adoree's performance is as heartbreaking as that in THE BIG PARADE. As a big fan of Donald Crisp, and used to his roles as kindly father figures, the lech he portrays in this film is a bit jarring, but he does an admirable job, considering he was really a big-hearted marshmallow. One of the greatest films in the twilight of the silent era.

Was the above review useful to you?

15 out of 16 people found the following review useful:

A Pagan Song

Author: Maliejandra Kay ( from United States
4 August 2006

This short and sweet silent film stars one of the brightest stars of the era, Ramon Novarro. Novarro's trademark energy is channeled into a great performance as a half white half native on an island where he is not accepted by everyone. He is a wealthy man but would rather spend his time lounging in the sun eating bananas and coconuts than doing business. He meets a beautiful native girl named Tito (Dorothy Janis), half white and half native like himself. However, she is restricted by her benefactor, a hypocrite Christian businessman (Donald Crisp) who wants to train her to be white. The natives begin to have a love affair much to the chagrin of the wealthy benefactor and a prostitute (Renée Adorée) who is in love with Novarro.

As a silent made after the talkies swept entertainment, this film features a recorded soundtrack with sung music and sound effects. Sometimes the lips do not match the recording, but the track works quite well with illustrating the story.

Was the above review useful to you?

16 out of 18 people found the following review useful:

Ramon Novarro was one of the greats!

Author: David Atfield ( from Canberra, Australia
18 November 1999

In this funny, moving and magnificent film Ramon Novarro again proves that he was one of the best actors of the silent era. Physically he is more beautiful than any man has a right to be, but his beauty also comes from within because he projects a warmth and humanity that few actors can convey. The film itself is brilliantly directed by W.S. Van Dyke, with a witty and poignant screenplay. It is also quite subversive as the Christian is definitely the bad guy, and a life of pagan lust and laziness is held up as the ideal. And it is all superbly shot in Tahiti.

The three other stars are also fine. Donald Crisp is lecherous and loathsome, Dorothy Janis spectacularly beautiful and delightfully innocent, and Renee Adoree unforgettable as the "whore with a heart of gold". Her unrequited love for Novarro is subtlely conveyed and very moving. But Ramon's joy of life, he is truly gay in the old sense of the word, makes this film live. See it with someone you love.

Okay, they over-use the theme tune, but isn't it gorgeous?

Was the above review useful to you?

7 out of 7 people found the following review useful:

Romance and racism in the South Seas

Author: st-shot from United States
10 November 2010

Slacker Henry Shoesmith (Ramon Novarro), the product of a white father and native mother has inherited a business he couldn't care less about. He'd rather pass his days taking in the beauty he was surrounded by on his South Sea island. When devious capitalist Roger Slater (Donald Crisp) shows up with his beautiful charge in tow to exploit the island Shoesmith's world is thrown into turmoil. With all his attention on Tito he ignores his business and Slater uses the opportunity to ruin him. Forever the romantic, Henry's is more concerned with the pursuit of Tito allowing him to become vulnerable to the iniquitous Slater whose designs of Christian salvation for Tito have given way to carnal cravings.

This silent made after the advent of sound film clumsily adds some out of sync singing (the immortal Pagan Love Song) to remain au courant but it is a catchy tune and not much of a distraction from the beautiful Tahitian landscape in which the naive lovers reside.

Novarro's disposition of child like innocence and laid back style fronted by his killer looks and smile charm you into his corner from beginning to end. A handsome Harpo, he is more sweet than seductive, displaying a talent for slapstick that makes him impossible to dislike. Dislike is all one can feel for the greedy, vengeful and hypocritical Slater. Crisp picks up where he left off as a racist lout in Broken Blossoms turning on a dime to gain and maim when needed. Bedecked in a white suit, earring and snarling most of the time Crisp's effective silent heavies totally belies the wise patient grandfatherly parts that would mark his sound period. Loudly attired Renee Adoree as a prostitute with principles has some fine scenes and serves as an ironic counterpoint to the hypocritical but respectable Slater.

With the vile Slater as a punching bag The Pagan reveals some ugly truths about western society but Novarro's irrepressible boyish charm keeps it upbeat most of the way. I would also add the warning that for a 48 hour period and perhaps longer you will not be able to get The Pagan Love Song melody out of your mind.

Was the above review useful to you?

6 out of 7 people found the following review useful:

"And We'll Cheer Each Other, With The Pagan Love Song"

Author: bkoganbing from Buffalo, New York
6 September 2010

Woody Van Dyke captained an entire MGM crew for a location shooting in Tahiti for The Pagan where Ramon Novarro made his sound debut. This film was done like Warner Brothers The Jazz Singer where it was silent except for Al Jolson's musical numbers and some introductory dialog to one of them.

Novarro looked properly exotic and did exhibit a pleasant singing voice when he sang one of the first songs ever written expressly for the screen, Nacio Herb Brown's and Arthur Freed's The Pagan Love Song which was a big hit in 1929. Novarro sang in a few of his sound films after The Pagan.

Ramon plays a half Caucasian, half Tahitian lad who owns some land and a store courtesy of his white father, but prefers the lazy life the natives enjoy. Donald Crisp is a white trader with young native ward Dorothy Janis. Novarro and she are attracted to each other, but Crisp wants her brought up as a proper Christian and doesn't want her associating with her own kind. Actually he's got quite the yen himself for her.

At the same time The Pagan was being filmed Rain was on stage in the legitimate theater. The influence that W. Somerset Maugham's classic about the South Seas and particularly that of the character of Reverend Davidson on Crisp's screen persona is unmistakable.

Woody Van Dyke did a fine job of direction with his cast which also included Renee Adoree. He would soon be going to Africa for a trouble plagued shoot in Trader Horn, probably on the success he had bringing in this film shot in faraway places.

The Pagan holds up well and it's a piece of screen history besides.

Was the above review useful to you?

7 out of 9 people found the following review useful:

Serendipitously silent

Author: John Seal from Oakland CA
12 April 2006

*** This review may contain spoilers ***

It's just as well The Pagan was shot as a silent, because it it had been a talkie, the camera would have been nailed down, the sound hissy and distracting, and the melodramatic excess of the plot overemphasized. As it stands, this is a wonderful and beautifully made film that highlights the great artistry developed by Hollywood during the 1920s. Though Ramon Navarro was a physically absurd casting choice as the half-caste Henry Shoesmith, he is never less than enchanting in the role, and it's a great pity that he was unable to make the transition to sound. Dorothy Janis, who apparently only made a handful of films in her brief career, is stunningly beautiful and effective as the pagan girl Shoesmith wishes to wed, and Donald Crisp is first rate as Slater, the cad who disguises his lust as an act of Christian charity. Shot to great effect by Clyde de Vinna on location in the South Seas, The Pagan is satisfying on every level, and comes strongly recommended to those who think they don't like silent film.

Was the above review useful to you?

5 out of 7 people found the following review useful:

Ramon Novarro Sings a Pagan Love Song

Author: wes-connors from Los Angeles
15 January 2011

On a picturesque South Seas island, "half-caste" handsome Ramon Novarro (as Henry Shoesmith Jr.) sunbathes on his coconut plantation. Rather than develop the wealth on his estate, Mr. Novarro likes to sing, laugh, and bask in the sunshine. His rendition of "Pagan Love Song" attracts pretty Polynesian Dorothy Janis (as Tito), who is likewise "half white". Ms. Janis tells Novarro, "Your song nice, your face nice, too." The pair frolic romantically, but Janis' guardian is wicked white businessman Donald Crisp (as Roger Slater), who cheats Novarro out of his land, and lusts after his nubile ward...

This late term silent film is nicely preserved, and includes its original "synchronized sound effects" soundtrack. The score, as you'll hear, beautifully matches the lush island location. "The Pagan" found Novarro reaching a new peak of popular appeal, and helped propel him into the "talkie" era. His singing voice recorded well; soon, MGM learned their stars' accents did not concern audiences, who responded to rich speaking voices of all types. Director W.S. Van Dyke and cameraman Clyde De Vinna, who worked together on "White Shadows in the South Seas" (1928), were at their best.

The story seems, in hindsight, to be daring for the time; its balance favors naturalistic Paganism over hypocritical Christianity, but Novarro and the studio easily put "The Pagan" over the top. Of course, the film does not attack religion; the villain is hypocrisy, portrayed as perverted "Christian duty" by Mr. Crisp. Renée Adorée, an leading actress on a career slide, is given a good supporting role as a tarnished white outcast who helps Novarro and Janis. Unfortunately, Ms. Adorée didn't live long enough for a talking pictures success, and the promisingly beautiful Janis soon retired.

******** The Pagan (4/27/29) W.S. Van Dyke ~ Ramon Novarro, Dorothy Janis, Donald Crisp, Renee Adoree

Was the above review useful to you?

Page 1 of 2:[1] [2] [Next]

Add another review

Related Links

Plot summary Ratings External reviews
Plot keywords Main details Your user reviews
Your vote history