| David Gutman | ... | Owner of the shop 'New Babylon' | |
| Yelena Kuzmina | ... | Louise Poirier | |
| Andrei Kostrichkin | ... | Head shop-assistant | |
| Sofiya Magarill | ... | An actress | |
| A. Arnold | ... | Deputy | |
| Sergei Gerasimov | ... | Lutro, journalist | |
| Yevgeni Chervyakov | ... | Soldier of the National Guard | |
| Pyotr Sobolevsky | ... | Jean, a soldier | |
| Yanina Zhejmo | ... | Therese | |
| Oleg Zhakov | ... | Soldier og the National Guard | |
| Vsevolod Pudovkin | ... | Shop-assistant | |
| Lyudmila Semyonova | ... | Can-can dancer | |
| A. Glushkova | ... | A washerwoman | |
| rest of cast listed alphabetically: | |||
| Emil Gal | ... | Bourgeois | |
| S. Gusev | ... | Old Poirier | |
| Tamara Makarova | ... | Can-can dancer | |
| Aleksandr Orlov | ... | King Menelay in the play | |
| Natalya Rashevskaya | ... | A washerwoman | |
| R. Rubinshtein | ... | Singer in the play | |
| Anna Zarzhitskaya | ... | A young girl on the barricade | |
| Boris Azarov | ... | Soldier (uncredited) | |
Directed by | |||
| Grigori Kozintsev | |||
| Leonid Trauberg | |||
Writing credits(in alphabetical order) | ||
| Grigori Kozintsev | writer | |
| Leonid Trauberg | writer | |
Original Music by | |||
| Dmitri Shostakovich | |||
Cinematography by | |||
| Andrei Moskvin | |||
Art Direction by | |||
| Yevgeni Yenej | |||
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| Commune (Paris, 1871), La | The Universal Clock: The Resistance of Peter Watkins | Gattopardo, Il | Yunost Maksima | Bronenosets Potyomkin |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Soviet Union section | Add this title to MyMovies |
Shown during the Wellington movie festival 2001 with the original music played by a synphonic orchestra. A rare opportunity and a good surprise.
One may argue that the movie is a dead piece of communist propaganda. Others may see it as a certain vision (Marxist indeed) of a historical event that still haunts French political life more than a century later.
In fact the movie could have been American, the distinction between good and evil is so clear and the treatment of a deep subject rather superficial.
The inspiration from Zola is evident in the course of the story as is the music by Shostakowich punctuated with themes borrowed from French revolutionary songs and Offenbach operas. They were then known to all good Soviet citizens... Only one song is apparently and surprisingly missing, The International.
Nevermind this mystery (I can't see here a mistake) the whole show is really entertaining.