Molly and Bee, sweet young 'working girls,' live in a cheap room over a New York grocery store. Molly's idol, wealthy Jack Cromwell, lives in a Long Island mansion but is markedly less ... See full summary »
Hildy Johnson, newspaper reporter, is engaged to Peggy Grant and planning to move to New York for a higher paying advertising job. The court press room is full of lame reporters who invent ... See full summary »
A beautiful showgirl, name "the Canary" is a scheming nightclub singer. Blackmailing is her game and with that she ends up dead. But who killed "the Canary". All the suspects knew and were ... See full summary »
A young couple marries in secret. Judy's afraid her parents won't approve of Dick and she'll lose her generous allowance. Her parents bring her home from the city where she's been studying ... See full summary »
John Wray (as Joe Prividi) was the only featured member of the original Broadway cast to reprise his role in the movie. See more »
[Norma Talmadge's first line of spoken dialogue on film - said down a dumbwaiter shaft to who she thinks is the iceman]
Twenty-five pounds. And don't give my chunk a twice-over shave.
[said up the dumbwaiter shaft after sending up a stolen box of flowers with a note for her birthday]
Good morning, Jill.
Good morning, Mr. Prividi.
Mrs. Deverne, as I wished ya' wasn't.
You stop this silly flower business! Do you hear me?
Why? It's your boithday, ain' it, huh?
Well, who told you to celebrate it?
[...] See more »
Interesting film based on a Broadway play (TIN PAN ALLEY) that starred Claudette Colbert.
The film is famous as one of Norma Talmadge's flop talkie attempts but it's not bad at all and is a better film than her 1930 attempt (and final film) as Madame DuBarry.
Talmadge plays a show girl married to a song writer (Gilbert Roland) but everyone is involved in the Broadway night life and endless parties. Plus Talmadge is being pursued by a gangster. Talmadge leaves her husband after he spends the night with a floozie. She ends up as the gangster's moll but soon gets tired of the life.
She runs into Roland (on the skids) later and tries to rekindle her relationship but as they attempt to leave wicked NYC for the country they get involved in a botched gangland murder.
This film proves that Talmadge had a perfectly good voice (she even sings a little), not overly trained and unnatural as she was as DuBarry. She's also pretty good in a the part and it's fascinating to finally see this great star in a "modern" role. Roland isn't bad as the husband and has surprisingly little accent.
Lilyan Tashman is Norma's pal, Roscoe Karns in the music partner, John Wray is the gangster, Mary Doran is the floozie, Jean Harlow has a bit part as a party guest, and Al Jolson makes a cameo and sings a song but it's all cut from the short version of this film that I have.
Another curiosity from the transition era. Why would this film have flopped?
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