A chorus girl with marital woes is pursued by a gangster.

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Writers:

(adaptation), (play) (as Hugh Stanislaws Stange)
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Cast

Cast overview:
...
...
Fred Deverne
...
Joe Prividi
...
Peggy
...
Ruthie Day (as Mary Koran)
...
Johnny Dolan
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Storyline

Chorus girl Jill and composer Fred are happily married until he steps out on her with another woman. Tired of his ongoing alcoholism and heartbroken, Jill decides to leave him and live it up, though she must contend with the unwanted advances of a notorious gangster who will stop at nothing to make her his mistress. And when she considers taking Fred back, matters could get deadly fast. Written by cupcakes

Plot Summary | Add Synopsis

Taglines:

Her First ALL TALKING Picture

Genres:

Crime | Drama

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Details

Country:

Language:

Release Date:

28 December 1929 (USA)  »

Also Known As:

Noches de Nueva York  »

Company Credits

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Technical Specs

Runtime:

(1938 re-release) | (original release)

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.20 : 1
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Did You Know?

Trivia

This film is one of over 200 titles in the list of independent feature films made available for television presentation by Advance Television Pictures announced in Motion Picture Herald 4 April 1942. At this time, television broadcasting was in its infancy, almost totally curtailed by the advent of World War II, and would not continue to develop until 1945-1946. Because of poor documentation (feature films were often not identified by title in conventional sources) no record has yet been found of its initial television broadcast. See more »

Goofs

Before putting a pot of coffee on the stove, Jill uses a wooden match to light the burner, while never once looking at the match. She shakes the match to put it out, but it flares up again as she drops it on top of a cabinet next to the stove. She then puts the coffee pot on the burner and walks off camera to look out the window. See more »

Quotes

Jill Deverne: [Norma Talmadge's first line of spoken dialogue on film - said down a dumbwaiter shaft to who she thinks is the iceman] Twenty-five pounds. And don't give my chunk a twice-over shave.
Joe Prividi: [said up the dumbwaiter shaft after sending up a stolen box of flowers with a note for her birthday] Good morning, Jill.
Jill Deverne: Good morning, Mr. Prividi.
Joe Prividi: Mrs. Deverne, as I wished ya' wasn't.
Jill Deverne: You stop this silly flower business! Do you hear me?
Joe Prividi: Why? It's your boithday, ain' it, huh?
Jill Deverne: Well, who told you to celebrate it?
Joe Prividi: My ...
[...]
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Connections

Featured in Hollywood: End of an Era (1980) See more »

Soundtracks

A Year From Today
(uncredited)
Written by Dave Dreyer, Al Jolson and Ballard MacDonald
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User Reviews

 
Norma Talmadge Talkie Debut
19 November 2006 | by (United States) – See all my reviews

Interesting film based on a Broadway play (TIN PAN ALLEY) that starred Claudette Colbert.

The film is famous as one of Norma Talmadge's flop talkie attempts but it's not bad at all and is a better film than her 1930 attempt (and final film) as Madame DuBarry.

Talmadge plays a show girl married to a song writer (Gilbert Roland) but everyone is involved in the Broadway night life and endless parties. Plus Talmadge is being pursued by a gangster. Talmadge leaves her husband after he spends the night with a floozie. She ends up as the gangster's moll but soon gets tired of the life.

She runs into Roland (on the skids) later and tries to rekindle her relationship but as they attempt to leave wicked NYC for the country they get involved in a botched gangland murder.

This film proves that Talmadge had a perfectly good voice (she even sings a little), not overly trained and unnatural as she was as DuBarry. She's also pretty good in a the part and it's fascinating to finally see this great star in a "modern" role. Roland isn't bad as the husband and has surprisingly little accent.

Lilyan Tashman is Norma's pal, Roscoe Karns in the music partner, John Wray is the gangster, Mary Doran is the floozie, Jean Harlow has a bit part as a party guest, and Al Jolson makes a cameo and sings a song but it's all cut from the short version of this film that I have.

Another curiosity from the transition era. Why would this film have flopped?


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