New York Nights (1929)

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(adaptation), (play) (as Hugh Stanislaws Stange)
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Cast overview:
Fred Deverne
Joe Prividi
Ruthie Day (as Mary Koran)
Johnny Dolan


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Her First ALL TALKING Picture


Crime | Drama





Release Date:

28 December 1929 (USA)  »

Also Known As:

Noches de Nueva York  »

Company Credits

Show detailed on  »

Technical Specs


(1938 re-release) | (original release)

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.20 : 1
See  »

Did You Know?


John Wray (as Joe Prividi) was the only featured member of the original Broadway cast to reprise his role in the movie. See more »


Jill Deverne: [Norma Talmadge's first line of spoken dialogue on film - said down a dumbwaiter shaft to who she thinks is the iceman] Twenty-five pounds. And don't give my chunk a twice-over shave.
Joe Prividi: [said up the dumbwaiter shaft after sending up a stolen box of flowers with a note for her birthday] Good morning, Jill.
Jill Deverne: Good morning, Mr. Prividi.
Joe Prividi: Mrs. Deverne, as I wished ya' wasn't.
Jill Deverne: You stop this silly flower business! Do you hear me?
Joe Prividi: Why? It's your boithday, ain' it, huh?
Jill Deverne: Well, who told you to celebrate it?
Joe Prividi: My ...
See more »


Featured in Hollywood: End of an Era (1980) See more »


A Year From Today
Written by Dave Dreyer, Al Jolson and Ballard MacDonald
See more »

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User Reviews

Norma Talmadge Talkie Debut
19 November 2006 | by (United States) – See all my reviews

Interesting film based on a Broadway play (TIN PAN ALLEY) that starred Claudette Colbert.

The film is famous as one of Norma Talmadge's flop talkie attempts but it's not bad at all and is a better film than her 1930 attempt (and final film) as Madame DuBarry.

Talmadge plays a show girl married to a song writer (Gilbert Roland) but everyone is involved in the Broadway night life and endless parties. Plus Talmadge is being pursued by a gangster. Talmadge leaves her husband after he spends the night with a floozie. She ends up as the gangster's moll but soon gets tired of the life.

She runs into Roland (on the skids) later and tries to rekindle her relationship but as they attempt to leave wicked NYC for the country they get involved in a botched gangland murder.

This film proves that Talmadge had a perfectly good voice (she even sings a little), not overly trained and unnatural as she was as DuBarry. She's also pretty good in a the part and it's fascinating to finally see this great star in a "modern" role. Roland isn't bad as the husband and has surprisingly little accent.

Lilyan Tashman is Norma's pal, Roscoe Karns in the music partner, John Wray is the gangster, Mary Doran is the floozie, Jean Harlow has a bit part as a party guest, and Al Jolson makes a cameo and sings a song but it's all cut from the short version of this film that I have.

Another curiosity from the transition era. Why would this film have flopped?

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