On a volcanic island near the kingdom of Hetvia rules Count Dakkar, a benevolent leader and scientist who has eliminated class distinction among the island's inhabitants. Dakkar, his ...
See full summary »
A young man of society wants to make an expedition to Africa, but his fiancée asks him for help about one of her fathers guests shortly before his planed departure. Her suspects about that ... See full summary »
Four heirs to a family fortune are summoned to appear at the family estate for the reading of the will, where they meet the estate's staff, which includes a nurse, a crazed doctor, and a sinister handyman.
When the villagers of Klineschloss start dying of blood loss, the town fathers suspect a resurgence of vampirism. While police inspector Karl remains skeptical, scientist Dr. von Niemann ... See full summary »
A cinematic adaptation of Jules Verne's 1874 novel "The Mysterious Island", the story begins during the American Civil War, as famine and death ravage the city of Richmond, Virginia. Five ... See full summary »
Pruitt Taylor Vince
Although his murdered friend was by all accounts a scoundrel a true "bounder" Edward Wales is determined to trap his killer by staging a seance using a famous medium. Many of the 13 seance ... See full summary »
On a volcanic island near the kingdom of Hetvia rules Count Dakkar, a benevolent leader and scientist who has eliminated class distinction among the island's inhabitants. Dakkar, his daughter Sonia and her fiance, engineer Nicolai Roget have designed a submarine which Roget pilots on its initial voyage just before the island is overrun by Baron Falon, despotic ruler of Hetvia. Falon sets out after Roget in a second submarine and the two craft, diving to the ocean's floor, discover a strange land populated by dragons, giant squid and an eerie undiscovered humanoid race. Written by
Doug Sederberg <firstname.lastname@example.org>
Although the feature was promoted as "All Technicolor", in actuality, only 7234 of its original 8569 feet were filmed in color; most of the underwater sequences were filmed in B&W and tinted green, in the usual fashion of the 1920s, and some shots of explosions were enlivened by using the Kelley Color/Handschiegl spot-coloring process. See more »
During the initial test run of the ship, one brief scene shows it upside down. See more »
The first screen version of Jules Verne's undersea adventure was a critical, financial and artistic disaster when first released in 1929, but in retrospect it ranks among the more unusual failures ever made. Poised uncomfortably between silence and sound, it suffers all the drawbacks of both eras while retaining the virtues of neither, mixing outlandish melodrama and painfully awkward dialogue passages into a primitive fantasy set, in large part, at the bottom of the deepest, darkest sea, where a parallel race of strange, aquatic midgets live. There's an odd, anachronistic flavor to the mythical mid-19th century Slavic setting, peopled by characters named Sonia, Nikolai, Dmitri et al. It's as if the technology of the future (circa 1930) was superimposed over the ideas of the past, with dialogue and action set to the romanticized movie standards of Jazz Age Hollywood. As a silent film it would have been unconvincing; as a quasi-sound FX spectacle it's simply ludicrous, and the (loosely) synchronized sound effects only accentuate the silent images.
5 of 5 people found this review helpful.
Was this review helpful to you?