Donte Clark's poetic voice was honed on the violent street corners of a struggling city. Yet rather than succumb to the pressures of Richmond, CA, Clark uses his artistic perspective to help save his city from itself.
Trying to escape his uneventful life, Albert, the son of a renowned general from Paris, makes a journey with his friend Franz. During his travels, he meets an immensely wealthy nobleman ... See full summary »
Johnny Yong Bosch,
In 1865, General Gurko Lanen is dictator of "Lichtenburg" in the Balkans. Rightful ruler Zona hopes to get aid from Napoleon III of France. The visiting Count of Monte Cristo falls for Zona... See full summary »
Rowland V. Lee
Restaured wonder with palpable silver-screen magic
Last night, I incidentally tuned on Arte, and the first part was on (pre-intermission I guess). It was late and I thought a silent black & white flick would drown me into sleep in a gently manner, as usual.
Well, let's just say that sleep was simply not to come about soon...
Oddly, the long expected slide down the dozing-off slope was perversely disrupted by the interest I began to gradually feel sipping through the thick walls of my legitimate exhaustion.
For sure I can't comment on the whole movie until I watch the second part which will be aired next Monday (July 28th), but I wouldn't miss it for the world.
Although the restoration could not be complete as a couple of visual bugs persist on the odd instant (probably remnants of unfixable damages), the work accomplished allows the viewer to "touch" the picture : the characteristic make-up used in black & white movies, along with the slight overacting de rigueur in mute movies confer a kind of 3rd dimension in conjunction with the brilliant setting of the lights, and after this laudable & technically optimal restoration.
I guess we can get here an idea of the magic felt by non-blasé early 20th century movie-goers as they couldn't help but let the movie lead them to another sphere peopled by characters that look extremely human & close to us, yet somewhat otherworldly...
A scene in particular struck me as brilliant and reminds me of the main gimmick in "24 hours" some 75 years later : as Julie Morrel is returning home with her dowry as well as the receipt that saves her father from going bankrupt & imminent suicide, the scene is sliced with many shots at a clock to enhance the suspense... except that the shots were made in such a way that I still have to re-watch it to determine whether the same clock was used or not, even though I had a dozen opportunities to verify that after I'd noticed the trick !!!
I just can't wait for next Monday !!!
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