A musical revue that basically has Paramount stars and contract-players doing things some had never done on screen, and wouldn't again; such as Ruth Chatteron , in a French-café setting ... See full summary »
Colonel John Wister, on duty with the British army in the desert region of Dubik, returns to England on leave. There he falls in love with Julia Ashton, who cares deeply for him but ... See full summary »
Gardoni, a down-on-his-luck vaudeville performer, is taken in by a fellow performer, a clown who has a bicycle riding act. Gardoni shows his appreciation by stealing the clown's act and his girlfriend, whom he marries.
A brilliant but impoverished writer, who is a pacifist, goes to work for a publisher and writes anti-war editorials. When he discovers that the publisher has betrayed him and is in league ... See full summary »
The fascinating Grace Herbert has many years' experience as a professional gold-digger. Her finances at a low ebb, she finds her mature beauty less effective than of yore, and takes on ... See full summary »
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by MCA ever since. See more »
Here are the quickest 75 minutes of your life. A delightful pre-code cocktail recipe. Take three couples (add gin and tonic), their several divorces and the seven children/stepchildren of their intermarriages and blend thoroughly, and you have a mixture a too-young-to-believe Frederic March will try to straighten out.
Whew! That said, let me straighten out a possibly intentional preconception. These sophisticated couples, with an early flirting reference, seem to be playing to the naughty implication of the title. You'll comprehend the title once you've met the kids, because they are the heart of this film. Now a cast including Frederic March, Lilyan Tashman, Kay Francis and Seena Owens giving great performances can't be upstaged, right? Well this batch is the best I've seen. They steal every scene and are given lines which mirror just what you're thinking. And they deliver them like bullets. It's timed like some successful stage play where the comedy has been closely honed in front of an audience. March is doing his job just keeping a straight face!
It all works thanks to a wide open Mary Brian as the oldest (17) of the kids. Her full throttle approach to the role locks all the elements together. She has to work vigorously to keep stability in the kids custodial situation. Indeed, spying on her charges, she discovers them playing Divorce Court.
Director Lothar Mendes loaded the film with brilliant touches. Mary Brian as Judy has a full, puffy coiffure while the other females have close, short hairstyles. The eternally effeminate William Austin's on hand to be Kay Francis' "big, strong (rich) man". Mitzi Green teaches him what its like to be a father, making him her pony. The children interface with adults on adult terms, playing them like violins. I won't disclose some delicious scenes as they should be yours to discover. Have fun!
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