A ne'er-do-well husband, after years of abusing his wife, disappears with their son, and winds up selling him to a wealthy family. Years later, the wife--now a world-famous opera singer--... See full summary »
Fuller Mellish Jr.
Dress designer Joan Wood, who's heavily in debt, has created costumes for a Broadway show that is exported to Argentina. With the money she wants to pay her debts, but there was a mistake: ... See full summary »
Richard 'Skeets' Gallagher
Gold-diggers Kay Francis and Lilyan Tashman meet susceptible lonely businessmen at conventions in this ribald preproduction code story. The millionaires lavish the girls with expensive ... See full summary »
Philandering actor Richard Hardell is murdered at a movie studio. His jealous wife Blanche, his director Rupert Borka, and a girl he mistreated, Helen MacDonald, all have substantial ... See full summary »
Julie Cavendish comes from a family of great Broadway actors. Her mother Fanny staunchly continues acting. Her boisterous brother Tony is fleeing a breach of promise suit in Hollywood. Her ... See full summary »
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by MCA ever since. See more »
Here are the quickest 75 minutes of your life. A delightful pre-code cocktail recipe. Take three couples (add gin and tonic), their several divorces and the seven children/stepchildren of their intermarriages and blend thoroughly, and you have a mixture a too-young-to-believe Frederic March will try to straighten out.
Whew! That said, let me straighten out a possibly intentional preconception. These sophisticated couples, with an early flirting reference, seem to be playing to the naughty implication of the title. You'll comprehend the title once you've met the kids, because they are the heart of this film. Now a cast including Frederic March, Lilyan Tashman, Kay Francis and Seena Owens giving great performances can't be upstaged, right? Well this batch is the best I've seen. They steal every scene and are given lines which mirror just what you're thinking. And they deliver them like bullets. It's timed like some successful stage play where the comedy has been closely honed in front of an audience. March is doing his job just keeping a straight face!
It all works thanks to a wide open Mary Brian as the oldest (17) of the kids. Her full throttle approach to the role locks all the elements together. She has to work vigorously to keep stability in the kids custodial situation. Indeed, spying on her charges, she discovers them playing Divorce Court.
Director Lothar Mendes loaded the film with brilliant touches. Mary Brian as Judy has a full, puffy coiffure while the other females have close, short hairstyles. The eternally effeminate William Austin's on hand to be Kay Francis' "big, strong (rich) man". Mitzi Green teaches him what its like to be a father, making him her pony. The children interface with adults on adult terms, playing them like violins. I won't disclose some delicious scenes as they should be yours to discover. Have fun!
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