Mary, a poor farm girl, meets Tim just as word comes that war has been declared. Tim enlists in the army and goes to the battlefields of Europe, where he is wounded and loses the use of his... See full summary »
Adapted from The Paul Street Boys, an autobiographical novel by Ferenc Molnar, GLORY is an unusually sensitive evocation of the pain of youth and the senselessness of war. Frail Nemecsek, a... See full summary »
George P. Breakston,
Lem goes to Chicago to sell the wheat his family has grown on their farm in Minnesota. There he meets the waitress Kate. They fall in love and get married before going back to the farm. ... See full summary »
A love story centered around the lives of three young German soldiers in the years following World War I. Their close friendship is strengthened by their shared love for the same woman who ... See full summary »
Already in trouble with the law, Arthur and his friend Nutty break into a drugstore to get medicine for Nutty's grandmother. The druggist's wife, Mrs. Doray, asks for custody. When he hears... See full summary »
Broken hearts in Ireland. Sean is a great tenor, in semi-retirement, living in a village close to Mary, the woman he's always loved. Mary's aunt convinced her to marry a man for his money; ... See full summary »
Mary, a poor farm girl, meets Tim just as word comes that war has been declared. Tim enlists in the army and goes to the battlefields of Europe, where he is wounded and loses the use of his legs. Home again, Tim is visited by Mary, and they are powerfully attracted to each other; but his physical handicap prevents him from declaring his love for her. Deeper complications set in when Martin, Tim's former sergeant and a bully, takes a shine to Mary. Written by
Dan Navarro <email@example.com>
According to the New York Times, the sound version of this movie was "partly silent and partly talking, being divided about equally into the two molds." Sound effects were scattered throughout the picture, including a phonograph record and the noise of a train's departure. See more »
This was my first exposure to Janet Gaynor, and I fell in love with her. She plays a poor, ragamuffin country girl who begins a timid romance with a wheelchair-bound WWI veteran (Charles Farrell), against the stern wishes of her mother, who wants her to marry instead a swaggering bully. Director Frank Borzage keeps the potential mawkish sentimentality at bay, and pulls achingly beautiful and naturalistic performances from his actors. When you watch Gaynor's face in this film, able to convey heaps of emotion (just get a look at her when she first realizes Farrell is confined to a wheelchair) with the most nuanced of glances, it's no surprise that she was able to make a successful transition to sound film and continue as a huge star and box-office draw throughout the 1930s.
The forbidden love storyline is the stuff of standard silent film melodrama, as is the suspenseful race-against-time finale that finds Charles Farrell willing himself to walk so that he can get to Gaynor before her husband-to-be takes her away forever. All of that is as silly as it sounds. But it's the quieter moments that give this film its gentle appeal: like the surprisingly erotic scene in which Farrell decides Gaynor needs a makeover and washes her hair with the yolks of a dozen eggs; or the beautiful bittersweet moment when Farrell gives Gaynor a gold bracelet that looks like an over-sized wedding ring.
A film center in Chicago is showing a festival of Gaynor and/or Borzage films, and I look forward to seeing more of both of them.
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