Mary, a poor farm girl, meets Tim just as word comes that war has been declared. Tim enlists in the army and goes to the battlefields of Europe, where he is wounded and loses the use of his... See full summary »

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Cast

Complete credited cast:
...
...
Timothy Osborn
...
Sgt. Martin Wrenn
...
Joe
Hedwiga Reicher ...
Mrs. Tucker
Gloria Grey ...
Mary Smith
Hector V. Sarno ...
Pop Fry
Rest of cast listed alphabetically:
Billy O'Brien
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Storyline

Mary, a poor farm girl, meets Tim just as word comes that war has been declared. Tim enlists in the army and goes to the battlefields of Europe, where he is wounded and loses the use of his legs. Home again, Tim is visited by Mary, and they are powerfully attracted to each other; but his physical handicap prevents him from declaring his love for her. Deeper complications set in when Martin, Tim's former sergeant and a bully, takes a shine to Mary. Written by Dan Navarro <daneldorado@yahoo.com>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

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Details

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Release Date:

18 August 1929 (USA)  »

Also Known As:

Estrela Ditosa  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

(TCM print)

Sound Mix:

(Western Electric Sound System) (talking sequences)|

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

According the Netherlands Film Museum, which restored "Lucky Star", the film was originally a part talkie, with some dialog and effects, but the soundtrack has been lost. See more »

Quotes

Mary Tucker: What's the matter with your feet?
Timothy Osborn: Nothing - just saving my legs.
Mary Tucker: What you savin' 'em for?
Timothy Osborn: For a special occasion.
See more »

Connections

Referenced in Hollywood Hist-o-Rama: Janet Gaynor (1962) See more »

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User Reviews

 
A Beautiful, Bittersweet Silent
12 June 2006 | by (United States) – See all my reviews

This was my first exposure to Janet Gaynor, and I fell in love with her. She plays a poor, ragamuffin country girl who begins a timid romance with a wheelchair-bound WWI veteran (Charles Farrell), against the stern wishes of her mother, who wants her to marry instead a swaggering bully. Director Frank Borzage keeps the potential mawkish sentimentality at bay, and pulls achingly beautiful and naturalistic performances from his actors. When you watch Gaynor's face in this film, able to convey heaps of emotion (just get a look at her when she first realizes Farrell is confined to a wheelchair) with the most nuanced of glances, it's no surprise that she was able to make a successful transition to sound film and continue as a huge star and box-office draw throughout the 1930s.

The forbidden love storyline is the stuff of standard silent film melodrama, as is the suspenseful race-against-time finale that finds Charles Farrell willing himself to walk so that he can get to Gaynor before her husband-to-be takes her away forever. All of that is as silly as it sounds. But it's the quieter moments that give this film its gentle appeal: like the surprisingly erotic scene in which Farrell decides Gaynor needs a makeover and washes her hair with the yolks of a dozen eggs; or the beautiful bittersweet moment when Farrell gives Gaynor a gold bracelet that looks like an over-sized wedding ring.

A film center in Chicago is showing a festival of Gaynor and/or Borzage films, and I look forward to seeing more of both of them.

Grade: A


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