| Photos (See all 10 | slideshow) |
| Stan Laurel | ... | Stan | |
| Oliver Hardy | ... | Ollie | |
| Tom Kennedy | ... | Construction worker (scenes deleted) | |
| Sam Lufkin | ... | Getaway Driver | |
| James Finlayson | ... | Store keeper | |
| Jack Hill | ... | Officer | |
| Harry Bernard | ... | Worker at Sea Food dealer | |
| Jean Harlow | ... | Woman in cab (as Harlean Carpenter) | |
| Ed Brandenburg | ... | Cab driver |
Directed by | |||
| Leo McCarey | |||
Writing credits(in alphabetical order) | ||
| Leo McCarey | writer | |
| H.M. Walker | titles | |
Produced by | |||
| Hal Roach | .... | producer | |
Cinematography by | |||
| George Stevens | (photographed by) | ||
Film Editing by | |||
| Richard C. Currier | (as Richard Currier) | ||
| William H. Terhune | |||
Second Unit Director or Assistant Director | |||
| Lloyd French | .... | assistant director | |
Art Department | |||
| Theodore Driscoll | .... | set dresser | |
| Morey Lightfoot | .... | property master (as Morrie Lightfoot) | |
Special Effects by | |||
| Thomas Benton Roberts | .... | special effects supervisor | |
Camera and Electrical Department | |||
| Jack Roach | .... | camera operator | |
| E.V. White | .... | assistant camera (uncredited) | |
Other crew | |||
| Lloyd French | .... | director: re-takes | |
| James W. Horne | .... | director: re-takes | |
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| The Finishing Touch | Men O'War | Brats | The Second 100 Years | Tit for Tat |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section |
This is the film from Laurel and Hardy's silent days where they escape from prison, end up wearing each other's trousers, and finally are in danger stranded on steel girders high above ground. This sequence is a particular delight and unusual for the pair as it is more in Buster Keaton or Harold Lloyd territory; here we see Stan and Ollie trying to get back to safety in a variety of amusing ways.
A very funny film which needs no dialogue and a minimum of title cards, 'Liberty' is probably their best effort before they went into sound. Sight gags, a range of funny situations, and perfect playing from the leads put this into a high class of comedy. Hugely enjoyable.