Jeanne Eagels plays the bored and restless Leslie Crosbie who turns to another man, Geoffrey Hammond (Herbert Marshall) for attention when neglected by her husband Robert (Reginald Owen). ... See full summary »
There is a big charity function at the house of Mrs. Cheyney and a lot of society is present. With her rich husband, deceased, rich old Lord Elton and playboy Lord Arthur Dilling are both ... See full summary »
A stenographer who works for a lawyer falls in love with and marries a wealthy young man. His family has the marraige annulled, after which she gives birth to a child. Her former boss helps... See full summary »
In a juke joint, sharecropper Zeke falls for a beautiful dancer, Chick, but she's only setting him up for a rigged craps game. He loses $100, the money he got for the sale of his family's ... See full summary »
Daniel L. Haynes,
Nina Mae McKinney,
Wealthy Cynthia is in love with not-so-wealthy Roger, who is married to Marcia. The threesome is terribly modern about the situation, and Marcia will gladly divorce Roger if Cynthia agrees ... See full summary »
Cecil B. DeMille
Chick Williams, a prohibition gangster, rejoins his mob soon after being released from prison. When a policeman is murdered during a robbery, he falls under suspicion. The gangster took ... See full summary »
Jeanne Eagels plays the bored and restless Leslie Crosbie who turns to another man, Geoffrey Hammond (Herbert Marshall) for attention when neglected by her husband Robert (Reginald Owen). Robert decides to go out for the evening to pick up a new rifle. Leslie's calm vanishes as she awaits an answer to a letter she has written Hammond. He has found a new love - a beautiful unscrupulous native woman Li Ti (Lady Tsei Mei) and has discarded Leslie. Written by
Originally released by Paramount, the rights to the film were sold to Warner Bros. in 1939 when WB began production on a remake which was released the next year. 2 other early Paramount sound films would also be sold to Warners - 1932's "A Farewell to Arms" and 1933's "One Sunday Afternoon" (both were also acquired with intention to remake, but only the latter would ever be remade by WB). Thus, the "Popeye" cartoons would not be the only former Paramount properties sold to Associated Artists Productions in the mid-1950s - the three sound features Paramount sold to WB would be sold to a.a.p. with the rest of WB's pre-1950 features, as well as all short subjects released prior to August 1948 (except black-and-white Looney Tunes, non-Harman/Ising B&W Merrie Melodies, and the first cartoon in the latter series - "Lady, Play Your Mandolin") and the live-action short subjects released that month. See more »
[direct to camera]
With all my heart and all my soul, I still love the man I killed!
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This has just been restored and will be included on the DVD of the Bette Davis version of THE LETTER. You've got to see it to check out Jeanne Eagles in one of the rawest, most powerful performances I've ever seen. She was a stage actress who disdained film -- and who died soon after making this and the lost JEALOUSY. Too bad because she truly is amazing. The film is frequently stagey and flat (and perhaps a bit racist). But you can't fault her: she is towering and emotional and unpredictable every moment. Supposedly Davis saw this and modeled her performance on Eagles'. The final scene will probably leave you breathless because it's so powerful -- and unrepentant. I'm so happy people will be able to see this soon.
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