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The Last Performance (1927)

6.8
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Ratings: 6.8/10 from 180 users  
Reviews: 3 user | 5 critic

A middle-aged magician is in love with his beautiful young assistant. She, on the other hand, is in love with the magician's young protege, who turns out to be a bum and a thief.

Director:

(as Paul Fejos)

Writers:

(titles), (screenplay), 2 more credits »
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Cast

Cast overview:
...
Erik the Great
...
Julie
Leslie Fenton ...
Buffo
Fred MacKaye ...
Mark Royce
Gusztáv Pártos ...
Theatre Manager (as Gustav Paros)
William H. Turner ...
Booking Agent
Anders Randolf ...
Judge
Sam De Grasse ...
District Attorney
...
Defense Attorney
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Storyline

A middle-aged magician is in love with his beautiful young assistant. She, on the other hand, is in love with the magician's young protege, who turns out to be a bum and a thief.

Plot Summary | Add Synopsis

Plot Keywords:

melodrama | See All (1) »

Genres:

Drama | Horror | Romance

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Details

Country:

Language:

Release Date:

13 October 1929 (USA)  »

Also Known As:

Erik the Great  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(DVD)

Sound Mix:

(Western Electric Sound System) (talking sequences)|

Aspect Ratio:

1.20 : 1
See  »
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Did You Know?

Trivia

Bela Lugosi dubbed Conrad Veidt's voice for the Hungarian version. See more »

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User Reviews

 
Veidt was Made for the Silents
23 November 2013 | by (United States) – See all my reviews

Universal was enamored of setting stories in the theater, weren't they? Perhaps "Phantom of the Opera" set the precedence. "The Last Warning" featured a masked murderer terrorizing Broadway. "The Last Performance" sets a love triangle among a magic act. Once again, Mary Philbin plays the object of desire of a murderous older man. While "Phantom" had obvious grotesque attributes and "The Last Warning" was basically an old dark house mystery, "The Last Performance" is a melodrama with light fantastic elements.

The story is typical. Erik the Great, a stage magician and hypnotist, is in love with Julie, his female assistant. He plans to marry the girl as soon as she turns eighteen, a story turn likely to gross out modern audiences. Julie only has eyes for Mark, a vagabond that Erik takes under his wing. "The Last Performance" neatly follows the three-act structure, with Erik discovering the truth about his love at the 18 minute point, the "seven swords through the box" magic trick going predictably wrong half-way through, and the last act set during a trial, with the case-solving testimony serving as a concise climax.

Of most interest to horror fans is Conrad Veidt's performance. Veidt was made for the silents. He says so much with simply a shift of his brow, expressing heart-break or jealousy with only his face. Despite the temptation to compare the two, Erik the Great isn't Erik the Phantom. He's not a monster, rather a fair man who commits wrong only out of love. The hypnotism sequences make great use of his glaring eyes. No wonder Veidt was nearly Dracula. Conrad's performance alone makes the sappy finale believable. The rest of the cast is thin, with Mary Philbin making goo-goo eyes at Fred MacKaye, a marginal matinée hero.

While lighter on expressionistic atmosphere then you'd hope, "The Last Performance" still has several stand-out moments. An early bit has Veidt walking a catwalk, shadows criss-crossing over his face. When the lover's affair is revealed, his shadow is cast huge on the wall, dwarfing the girl and her mate. Veidt's power as a hypnotist is displayed by overlaying his glaring face over the character performing the requested action. A memorable early scene has the man mesmerizing a skeptical audience member, their theater booth suddenly spinning around them.

"The Last Performance" is another example of routine silent film material elevated by its lead actor. After years of obscurity, the film was recently released by the Criterion Collection… Kind of. It's a special feature packaged with "Lonesome," a later film by the same director. This version has Danish titles with English subtitles and is apparently missing several sound sequences. The film is concise enough that I can't imagine those scenes would add much.


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