Mickey's apparently on an African safari, riding on an elephant, but his shotgun disintegrates the first time he tries to use it. To sooth the vicious beasts, he plays tunes, sings, and ...
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Mickey goes about his farm chores, plowing with Horace and milking Clarabelle, while Minnie sings (until Mickey kisses her, when she stalks off). Clarabelle gets too friendly with Mickey, ... See full summary »
Mickey, apparently shipwrecked, is on a raft; he washes up on a tropical island, where a banana tree takes care of his hunger. He then discovers a piano that washed ashore, and begins ... See full summary »
Horace pulls a wagon with a a small pipe organ, with Mickey at the keys; a sign on the side reads "Mickey's Big Road Show." They arrive, and Mickey's suitcase labeled "Jazz Fool" unfolds to... See full summary »
Mickey is a railroad engineer with an anthropomorphic locomotive. He feeds the train (coal), then feeds his dog, then makes lunch for himself. Minnie drops by and plays a tune on her fiddle... See full summary »
While Tom Cat goes away hunting, Mickey, Minnie, and their mouse friends break into his house and perform music. They play various tunes on the piano while the other mice hit household objects in tune to the music.
Mickey's apparently on an African safari, riding on an elephant, but his shotgun disintegrates the first time he tries to use it. To sooth the vicious beasts, he plays tunes, sings, and dances, using the various animals and objects around him as instruments. Written by
Jon Reeves <email@example.com>
Mickey shows true JUNGLE RHYTHM in the wilds, making merry music using the bodies of various & sundry creatures.
This early black & white Mouse film is almost completely plotless, its action entirely driven by the soundtrack. Music mavens will recognize 'The Blue Danube,' 'Aloha Oe' & 'Yankee Doodle' among other tunes.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
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