Jeanne Eagels plays the bored and restless Leslie Crosbie who turns to another man, Geoffrey Hammond (Herbert Marshall) for attention when neglected by her husband Robert (Reginald Owen). ... See full summary »
Jean de Limur
A piano teacher believes that her fiancé, a cellist, was killed on the battlefield. When he returns alive, they marry, but are menaced and threatened by a wealthy, egotistical composer she started dating on the rebound.
A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people there in increasing numbers and with increasing viciousness.
A young man takes a succession of odd jobs in order to save enough money to buy he and his mother a house. He lands a position in a newspaper office and falls in love with the beautiful ... See full summary »
One of the earliest of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. However, because of legal complications, this particular title was not included in the original television package and may not have ever been televised. See more »
Eagels second talkie and last film among the "lost."
Bette Davis followed in Jeanne Eagels' footsteps, remaking her two sound films, THE LETTER and JEALOUSY, into successful vehicles for herself (the latter was renamed DECEPTION). Fredric March and Ms. Eagels appeared together in this film which is now among the lost. One still I have seen with the two leads emoting terror to some unknown adversary reveals her painfully thin arms - she was to die that same year, a victim of drug addiction. Her performance in THE LETTER - an extraordinary one and justly Oscar-nominated (she should have won)- remains our only sound document of her career.
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