A piano teacher believes that her fiancé, a cellist, was killed on the battlefield. When he returns alive, they marry, but are menaced and threatened by a wealthy, egotistical composer she started dating on the rebound.
A man in London tries to help a counterespionage agent. But when the agent is killed and the man stands accused, he must go on the run to both save himself and also stop a spy ring which is trying to steal top secret information.
Jeanne Eagels plays the bored and restless Leslie Crosbie who turns to another man, Geoffrey Hammond (Herbert Marshall) for attention when neglected by her husband Robert (Reginald Owen). ... See full summary »
Jean de Limur
The wife of an alcoholic writer must take a job as a taxi driver to make ends meet. A young man she picks up as a fare befriends her, but when her husband is found murdered, the police suspect she and her new "friend" committed the murder.
John Hathaway is a professor of psychology at Digby College. His students are bored as he is with the students. He leaves college to go to New York to have his manuscript on jealousy ... See full summary »
Eagels second talkie and last film among the "lost."
Bette Davis followed in Jeanne Eagels' footsteps, remaking her two sound films, THE LETTER and JEALOUSY, into successful vehicles for herself (the latter was renamed DECEPTION). Fredric March and Ms. Eagels appeared together in this film which is now among the lost. One still I have seen with the two leads emoting terror to some unknown adversary reveals her painfully thin arms - she was to die that same year, a victim of drug addiction. Her performance in THE LETTER - an extraordinary one and justly Oscar-nominated (she should have won)- remains our only sound document of her career.
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