Horace pulls a wagon with a a small pipe organ, with Mickey at the keys; a sign on the side reads "Mickey's Big Road Show." They arrive, and Mickey's suitcase labeled "Jazz Fool" unfolds to...
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Mickey is a railroad engineer with an anthropomorphic locomotive. He feeds the train (coal), then feeds his dog, then makes lunch for himself. Minnie drops by and plays a tune on her fiddle... See full summary »
Mickey's apparently on an African safari, riding on an elephant, but his shotgun disintegrates the first time he tries to use it. To sooth the vicious beasts, he plays tunes, sings, and ... See full summary »
While Tom Cat goes away hunting, Mickey, Minnie, and their mouse friends break into his house and perform music. They play various tunes on the piano while the other mice hit household objects in tune to the music.
Mickey comes in his horse and buggy to pick up Minnie for the barn dance, but he's aced out by his rival, Pete, with a car, until the car breaks down. At the dance hall, Mickey dances on ... See full summary »
Mickey goes about his farm chores, plowing with Horace and milking Clarabelle, while Minnie sings (until Mickey kisses her, when she stalks off). Clarabelle gets too friendly with Mickey, ... See full summary »
Mickey is driving a taxi. His first fare is a very large gentleman. Mickey stops traffic and gets a tongue-lashing from the officer. The cab runs into some bad road, bounces the fare down ... See full summary »
Mickey is selling hot dogs at a carnival next to the tent for Minnie the Shimmy Dancer. He gets into an argument with the barker. Minnie beckons him over to her trailer; he shows off the ... See full summary »
Horace pulls a wagon with a a small pipe organ, with Mickey at the keys; a sign on the side reads "Mickey's Big Road Show." They arrive, and Mickey's suitcase labeled "Jazz Fool" unfolds to a piano, which he plays (and sings about 8 notes). At the end, the piano attacks him. There is no dialogue, aside from the nonsense syllables sung. Written by
Jon Reeves <firstname.lastname@example.org>
Ah, the pre-Code cartoons, he waxed nostalgically.
Prior to the creation of the Hays Office (named for Will Hays, the first official censor, who left Washington just ahead of the posse, having been part of the Harding administration, the most corrupt administration pre-1968) and the installation of the Code in the early 1930s by these paragons of virtue, films were more free-wheeling and cartoons were no exception. The Mickey of this timeframe was closer to Dennis the Menace than the Mouse he came to be just a few years hence. In some ways, this Mickey was more interesting and more fun. Music was almost always large part of cartoons in general and in the early days of sound, was hugely important just as something of a novelty. Excellent score here and hilarious almost from first frame to last. Well worth tracking down. Most recommended.
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