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The Iron Mask (1929)

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King Louis XIII of France is thrilled to have born to him a son - an heir to the throne. But when the queen delivers a twin, Cardinal Richelieu sees the second son as a potential for ... See full summary »

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Title: The Iron Mask (1929)

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Cast

Cast overview, first billed only:
...
...
Dorothy Revier ...
Vera Lewis ...
Madame Peronne
Rolfe Sedan ...
...
Gordon Thorpe ...
Young Prince / Twin Brother
Nigel De Brulier ...
Ullrich Haupt ...
Lon Poff ...
Father Joseph
Charles Stevens ...
Henry Otto ...
The King's Valet
Léon Bary ...
Athos (as Leon Barry)
Tiny Sandford ...
Porthos (as Stanley Standford)
...
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Storyline

King Louis XIII of France is thrilled to have born to him a son - an heir to the throne. But when the queen delivers a twin, Cardinal Richelieu sees the second son as a potential for revolution, and has him sent off to Spain to be raised in secret to ensure a peaceful future for France. Alas, keeping the secret means sending Constance, lover of D'Artagnan, off to a convent. D'Artagnan hears of this and rallies the Musketeers in a bid to rescue her. Unfortunately, Richelieu out-smarts the Musketeers and banishes them forever. Richelieu enlists D'Artagnan to look after and protect the young prince. Meanwhile, de Rochefort learns of the twins and Richelieu's plans, and kidnaps the twin, raising him in secret. Many years later, with Richelieu dead and the young prince crowned King Louis XIV, Rochefort launches his plan. The king is kidnapped, replaced with his twin, put in an iron mask so as not to be recognized, and led off to a remote castle to be held prisoner. Louis XIV is able to ... Written by Theron Trowbridge <Tmonk@concentric.net>

Plot Summary | Add Synopsis

Plot Keywords:

musketeer | heir | convent | iron mask | mask | See more »

Taglines:

The Further Adventures of "The Three Musketeers"!


Certificate:

Not Rated
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Details

Country:

Language:

Release Date:

21 February 1929 (USA)  »

Also Known As:

Die eiserne Maske  »

Filming Locations:

 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

| (restored) | (edited) (re-release)

Sound Mix:

(Western Electric Sound System) (talking sequences, musical score and sound effects)|

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »

Quotes

Porthos: Come on! There is greater adventure beyond.
See more »

Connections

Version of The Return of the Musketeers (1989) See more »

Soundtracks

One for All, All for One
(1929) (uncredited)
Lyrics by Jo Trent
Music by Hugo Riesenfeld and Louis Alter
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Stirring farewell to an era.
3 June 1999 | by (Canberra, Australia) – See all my reviews

In Kevin Brownlow and David Gill's extraordinary 1980 documentary about the silent era "Hollywood" the final sequence of "The Iron Mask" is described as Fairbanks' farewell to the silent film. And it is.

Generally this is an inferior film to the amazing 1921 "Three Musketeers". Allan Dwan is not the visual stylist that Fred Niblo is, and so "The Iron Mask" becomes much more of a straightforward action film. But as such it is splendid. I think we tend to forget what a good actor Fairbanks was. His emotional journey here is quite powerful as he faces the death of his lady and of his friends - and he ages convincingly as well.

Most of the cast is different to the "Three Musketeers" but Margueritte de la Motte returns as Constance and the unforgettable Nigel de Brulier again plays Richilieu with extreme venom.

Fairbanks has an athletic field day as well. There seem to be a number of versions of this film around. The one I saw ran 95 minutes and had tinted sequences. I've seen some advertised as having talking sequences, and others with narration by Douglas Fairbanks Jr - the one i saw had neither of these.

It was probably the last large scale silent feature made in Hollywood. And that is what gives those gorgeous last minutes such power. The silent era was truly the golden years of Hollywood and Fairbanks was its king - in this film he sadly abdicates.


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