The idle son of a rich businessman joins the army when the U.S.A. enters World War One. He is sent to France, where he becomes friends with two working-class soldiers. He also falls in love... See full summary »
George W. Hill
Jerry Seevers returns from World War I service broken in health and his doctor tells him he has only six months to live. His fiancée jilts him and he sets out to drink himself to death. In ... See full summary »
Gunner and Bucker are pals who work as riveters. Whenever Bucker gets the urge to marry, which is often, Gunner will hit on his girl to see if she is true or not. So far, Gunner has not ... See full summary »
Jack is a sailor who lives to go to sea. A typical sailor, he is always broke and has been in seven jails in the last seven ports. The one girl he tries to impress the most is in London and... See full summary »
While Benny is in jail his old henchman Monk takes over the gang and Benny's girl Frieda. Once out Benny wants nothing to do with either. He has reformed and is beloved of his god-fearing ... See full summary »
On a dark foggy London night, someone tries to strangle Lord Montague, but he escapes. Only to discover the four other men who did get killed were old regimental comrades in Gallipoli. When... See full summary »
This film has been restored and preserved for historical purposes, and is presently owned and controlled by Paramount Pictures [us] who bought the rights from MGM when they remade it as A Breath of Scandal (1960). See more »
I have never seen this film, except on a series about Hollywood in the Silent Film period made in the 1980s (James Mason narrated). In an episode about Gilbert and Garbo, and how the sound revolution did not hurt her (it enhanced her sexual allure and mystery) while it smashed his career. Supposedly the verile Gilbert sounded squeaky, and the clearest example of this was this film, where Gilbert was forced to recite lousy dialogue. The snippet of film had him declaring over and over again "Darling, I love you! I love your!" It would have been more lethal than an iceberg in sinking Gilbert.
Still, I would be curious to see the film (if they ever show it again). The script is based on a play by Ferenc Molnar, Hungary's greatest playwrite (his best known plays are THE PLAY'S THE THING, and LILLIOM - the original drama that the musical CAROUSEL is based on), so while it may have been below par it still might be worth listening to (outside of poor Gilbert's dialogue). Later films of the sound period, like QUEEN CHRISTINA and THE CAPTAIN HATES THE SEA suggest that Gilbert's voice was sufficiently masculine for his career to have survived had his films been chosen more carefully. But the public only remembered "Darling, I love you! I love you!" Very regretable.
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